Archive for the ‘mystery’ Category

Mysteries of the Magdalene

April 5, 2009

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Here on the threshold of Holy Week, I’ve had Mary Magdalene on my mind. Scripturally speaking, what we know of her story comes almost entirely from the gospel accounts of the final days of Jesus, where the Magdalene emerges as a faithful disciple who journeys with Jesus from the cross to the empty tomb. She is the first to proclaim the news of Christ’s resurrection.

As if the scriptural accounts of her story weren’t intriguing enough, an imaginative web of legends gathered around the Magdalene in the centuries that followed. Short on fact but long on fascination, many of them tell of a woman of power and courage whose life was marked by devotion and mystery.

The legends gave rise to some wondrous medieval art, which in turn inspired my series The Hours of Mary Magdalene a few years ago. I’ve just finished a new print that brings together all eight images in the series, and I’d love to share it with you. It’s available on my website, where you can find it on the main page at janrichardson.com. You can also go straight to the Color Prints page, where prints of the individual pieces are available as well. Purchasing prints—or anything else on my website—goes directly toward supporting my ministry through The Wellspring Studio, LLC, and I am grateful beyond measure for your sustenance in this way!

Peace to you.

Palm Sunday: The Temple by Night

March 29, 2009

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The Temple by Night © Jan L. Richardson

Reading from the Gospels, Palm Sunday: Mark 11.1-11

After sending for the colt.
After the procession.
After the palms.
After the cloak-strewn road.
After the hosannas.
After blessed is he who comes
in the name of the Lord.

After all this, Mark—alone of all the gospels—tells us that Jesus goes into the temple and looks around at everything.

He does not teach. He does not preach. He does not heal. He does not confront or challenge. He does not even speak; neither does he cross the path of anyone who requires his attention. Mark conveys the impression that here, in this sacred space that lies at the heart of his people, Jesus is quite alone, and that it is night.

Jesus simply looks around. What is it that he sees in the temple by night?

The gospels vary in their account of Jesus’ relationship with the temple, and how much time he has spent there. Taking together their accounts, we know Mary and Joseph took him there as an infant for the rituals that occurred forty days after a birth. He made the journey to the temple every year with his family for Passover, most memorably at the age of twelve, when his parents, missing him on the way home, went back and discovered him in conversation with the teachers. Matthew tells us that the devil took Jesus to the pinnacle of the temple, urging him to jump, that angels would catch him. John in particular emphasizes Jesus’ presence at the temple earlier in his ministry, where the temple features in such stories as Jesus’ encounter with a woman caught in adultery. It is at the temple, according to John, that Jesus proclaims himself as the river of life and as the light of the world, beginning to take into his own self, as Richard Hays has pointed out, the purpose of the temple as the focal point of the liturgy and life of the people of Israel.

This is the place that holds the memories of Jesus and the collective memory of his people. And it is to this place that Jesus returns, after the palms, after the procession, after the shouts of proclamation have vanished into the air. He will come back tomorrow, Mark tells us, and he will turn over the tables and drive out the buyers and sellers and castigate the people for turning this house of prayer into a robbers’ den. He will return yet again over the next few days to teach, to provoke, to watch a widow drop two precious coins into the offering box. And soon he will die.

But for now, for tonight, in this holy place at the heart of his people, Jesus merely looks. He peers into this sacred space that is inhabited and haunted by his own story. And perhaps it is this story he sees again this night. Perhaps he sees Mary and Joseph coming out of the shadows, carrying their infant son. Perhaps he sees Simeon gathering his young self into his arms, singing about salvation and a light for revelation, joined by the old prophet Anna, who raises her voice in praise. Perhaps Jesus sees again the twelve-year-old who conversed with the temple teachers, and the tempter who tried to lure him to fling himself from the pinnacle of this place. Perhaps a woman, once trapped and terrified, stands before him again, this time with the light of forgiveness and healing shining through her eyes.

And perhaps in this place, where Jesus is alone-but-not-alone, they gather about him, reminding him why he has come, calling him to remember, offering their blessing for the days ahead. Perhaps in this space, after the palms and before the passion, Jesus is able simply to rest. To remember. To breathe. To be between.

And you? What are you between? Where is the space that invites you to be alone but not alone, to allow the memories to gather and bless you, to offer strength for the days ahead? What is the place that beckons you to breathe, to rest, to look? What is it that you see in that space? What stirs in the shadows?

Blessings to you in the spaces between.

For last year’s Palm Sunday reflection, visit Palm Sunday: Where the Way Leads.

Resources for the Season: Looking toward Lent

Lent 5: Into the Seed

March 24, 2009

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Into the Seed © Jan L. Richardson

Reading from the Gospels, Lent 5, Year B: John 12.20-33

So do you remember that kerfuffle back in the 90s when Mattel brought out a new Barbie doll called Teen Speak Barbie? The Barbies were programmed to say what the company considered typical adolescent girl phrases. Some of the dolls were heard to utter, “Math class is tough!” A protest ensued, and Mattel excised that phrase. The story still circulates, with the troublesome phrase often (mis)quoted as “Math is hard!”

At this point in the Lenten journey, I find myself getting in touch with my Inner Barbie. Call her Ecclesiastical Barbie, perhaps, or Exegetical Barbie. (Ooooh, can’t you see her now, complete with the Barbie Dream Church and Deacon Ken?) These days, when someone pulls the string on my Inner Barbie, she’s likely to say, “Lent is tough!” or “These lections are hard!”

The scripture passages that this season presents to us are intense, dense, and complex. They are laden with metaphor and meaning, swirl with constellations of symbols and images, and shimmer with vivid emotion and crucial teaching. These texts challenge us to look with honesty at our lives, they confront us with our attachments, and—in a phrase I recently encountered—they urge us to sit with our own mirrors.

Lent is not for sissies.

In these past few weeks, we have traveled with Jesus into the wilderness, listened to his challenge to discern between the things of heaven and the things of earth, witnessed his outraged and outrageous cleansing of the temple, and overheard him liken himself to the serpent that Moses raised in the wilderness. Now he comes along, in this week’s gospel reading, speaking of grain and dying, losing one’s life and keeping it, hating and loving. We hear a thundering voice from heaven speaking of glory, and Jesus talking of being raised up from the earth.

The import of these Lenten texts is all the more intense for the surety of Jesus’ violent death that looms ahead. As we walk with Jesus through these weeks, we know what we are walking toward. And so his words carry extra weight, and we bend closer to capture them, as we do with someone we know is not long for this world—but who is already beginning to see things we cannot see, and speaking a language we do not yet understand.

Unlike others loosing the tethers that have held them to this life, however, Jesus retains a passionate interest in this world. Despite any impression he may give to the contrary (“those who hate their life in this world will keep it,” he says this week), Jesus does not perceive this world, this life, merely as a prelude to heaven or as a stockyard for weeding out the blessed from the damned. He seeks, rather, to train our eyes to perceive the kingdom of heaven tucked into the midst of this very world.

Teaching us to see the kingdom requires symbol, myth, metaphor, story. It requires the visual poetry that Jesus repeatedly uses as he turns to the things of earth to describe the things of heaven: yeast, seeds, dirt, water, fish, lilies of the field, birds of the air. Again and again he employs the ephemeral as he seeks to explain what is eternal. His doing so both comforts and unsettles; taking what is familiar to us, he turns it on its head, and us as well. How will we ever come to understand such a language?

We may feel daunted at this point in the season. I do. So suffused with meaning and messages, not to mention impending murder, these passages can overwhelm with their density and intensity and with their challenge to us to hold their paradoxes and untangle their meanings. Their lines somehow intertwine with the stuff of my days, drawing me deeper into the questions they pose about what my life is really about. There is so much to discern, to sort through, to sift.

In the midst of feeling daunted, I find myself thinking of the mystic poet who asked, “What is the cure for love? More love.” The formula holds true elsewhere. The cure for mystery? More mystery. The cure for paradox? More paradox. Last week’s readings from Numbers and the gospel of John reminded us that the cure for snakebite lay in looking upon a serpent. And in such a way this season beckons us to consider that we find our cure not by shrinking from what besets and befuddles and daunts us but by looking deeper into those very places, and finding the treasure that God has placed within them.

Go into the things you shrink from, Jesus tells his hearers—and us—in this passage. Go into the questions, the mysteries, the paradoxes, the seeming contradictions. Go into the Lenten dying that is not dying after all. We work so very hard at letting go, sometimes, trying to train ourselves to release our grip on all that is not God. But what if it is not about giving up but giving in? Falling into dirt, as Jesus says here. Going where grain is supposed to go. Following the spiral within the seed that takes us deeper into the dark but also—finally, fruitfully—out of it.

The lectionary interrupts this passage before its end; Jesus’ conversation with the crowd actually extends to verse 36. After Jesus finishes his discourse, here’s what John tells us Jesus did: he hid from them. And perhaps that’s what Jesus means for us to do at this point on the Lenten path: to hide. To not be set on figuring everything out but rather to let at least some part of ourselves, for some space of time, withdraw. To cease from wrestling with the questions and mysteries and simply rest with them and give in to them. To secret our souls like a seed in the earth. To see what grows.

How is it with your soul at this point on the Lenten path? As you work with these texts, how are these texts working on you? What questions have they stirred for you in these days? How do you respond to the mysteries and paradoxes they hold? Can you rest with those questions and mysteries? What do you need?

May you fall into, rest into, a place that will tend and nourish you in these days. Blessings.

Resources for the Season: Looking toward Lent

P.S. Happy Eve of the Feast of the Annunciation! Falling on March 25, this feast celebrates the radical yes that Mary said to Gabriel when the angel beckoned her to become the mother of Christ. For some of my artwork and reflections on the Annunciation, visit Getting the Message and The Hour of Matins: Annunciation.

Feast of the Presentation/Candlemas

February 1, 2009

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Blessing of the Candles © Jan L. Richardson

Reading from the Gospels for Feast of the Presentation: Luke 2.22-40

The beginning of February offers us another lovely feast day on the heels of today’s Feast of St. Brigid. In the rhythm of the Christian liturgical year, tomorrow marks the Feast of the Presentation of Jesus, also called the Feast of the Purification of Mary. This day bids us remember Mary and Joseph’s visit to the Temple to present their child Jesus on the fortieth day following his birth, as Jewish law required, and for Mary to undergo the postpartum rites of cleansing. Luke’s Gospel tells us that a resident prophet named Anna and a man named Simeon immediately recognize and welcome Jesus. Taking the child into his arms, Simeon turns his voice toward God and offers praise for the “light for revelation” that has come into the world.

Taking a cue from Simeon, some churches began, in time, to mark this day with a celebration of light: the Candle Mass, during which priests would bless the candles to be used in the year to come. Coinciding with the turn toward spring and lengthening of light in the Northern Hemisphere, Candlemas offers a liturgical celebration of the renewing of light and life that comes to us in the natural world at this time of year, as well as in the story of Jesus. As we emerge from the deep of winter, the feast reminds us of the perpetual presence of Christ our Light in every season.

With her feast day just next door, and with the abundance of fire in the stories of her life, it’s no surprise that St. Brigid makes an appearance among the Candlemas legends. One of those legends reflects a splendid bit of time warping that happened around Brigid. The stories and prayers of Ireland and its neighbors often refer to Brigid as the midwife to Mary and the foster mother of Christ. Chronologically, this would have been a real stretch (seeing as how Brigid was born in 454 CE), but in a culture in which the bond of fostering was sometimes stronger than the bond of blood, this creative image of Brigid reveals something of the deep esteem that she attracted. In the Carmina Gadelica, a collection of prayers, legends, and songs that Alexander Carmichael gathered in Scotland in the 19th century, he conveys this story of Brigid as an anachronistic acolyte:

It is said in Ireland that Bride [Brigid] walked before Mary with a lighted candle in each hand when she went up to the Temple for purification. The winds were strong on the Temple heights, and the tapers were unprotected, yet they did not flicker nor fail. From this incident Bride is called Bride boillsge (Bride of brightness). This day is occasionally called La Fheill Bride nan Coinnle (the Feast Day of Bride of the Candles), but more generally la Fheill Moire nan Coinnle (the Feast Day of Mary of the Candles)—Candlemas Day.

On this Candlemas Eve, where do we find ourselves in this story? Are we Mary, graced by the light that another sheds on our path? Or are we Brigid, carrying the light for another in need?

A blessed Candlemas to you!

[To use the "Blessing of the Candles" image, please visit this page at janrichardsonimages.com. Your use of the Jan Richardson Images site helps make the ministry of The Painted Prayerbook possible. Thank you!]

[For my other reflection & art related to Luke 2.22-40/The Presentation, visit this post.]

A Habit of the Wildest Bounty: Feast of St. Brigid

January 31, 2009


Saint Brigid © Jan L. Richardson

Tomorrow brings one of my favorite days of celebration: the Feast of St. Brigid of Kildare, beloved holy woman of Ireland. Born in the middle of the fifth century, Brigid became a pivotal figure in the development of Irish Christianity. We know few concrete details of her life, but the surviving stories offer a compelling depiction of a woman renowned for her hospitality and for the monasteries she established, the most famous being the one at Cill Dara (Kildare), the Church of the Oak.

Many of the tales of Brigid’s life read much like those of other female saints: her saintly qualities were evident from an early age; she forsook marriage in order to follow Christ in a monastic way of life (she even caused her eye to burst in order to avoid being married off; don’t try this at home!); she was a wonder-worker who brought healing and justice; she exercised miraculous influence over the weather, animals, and the landscape. “She stilled the rain and wind,” the final line of the Bethu Brigte, a medieval account of Brigid’s life, tells us.

In her charming book St. Brigid of Ireland, Alice Curtayne describes Brigid as someone who found the poor “irresistible” and ministered to them with “a habit of the wildest bounty.” Her lavish generosity sometimes put her at odds with her family and, later, her monastic community, which occasionally had to do without as she gave their bounty to guests and strangers.

There is a strong domestic quality that pervades Brigid’s wonderworking, a homeliness to the miraculous that runs throughout her tales. Most of her recorded miracles are feats of provisioning by which she secures an abundance of fare for daily sustenance as well as for festive occasions. In Brigid’s presence, butter is replenished; the bacon she slips to a dog miraculously reappears in the pot; a stone turns to salt; water becomes milk, or beer, or, in one instance, an aphrodisiac. Her plenitude consciously echoes Christ’s miracles of provisioning—water into wine, a few loaves and fish into a feast—and embodies the abundant generosity of God. There is a gracefulness that shimmers in the utterly mundane quality of the material of Brigid’s miracles, underscoring the dignity of the daily tasks to which the women of her day—and women across centuries—devoted so much of their lives.

Those who wrote Brigid’s Lives, however, were keen to portray her as much more than a wonderworking dairymaid. Within the workaday landscape of her legends, signs of the mystery and power of God flicker and flash with a brilliance that illuminates the saint and sparks the imagination. Fire is a persistent symbol in her stories, and in one of the earliest prayers to Brigid, known as “Ultán’s Hymn,” the writer addresses her as a “golden radiant flame.”

The symbol of fire illuminates and underscores Brigid’s role as not only a worker of domestic miracles but also a woman of transcendent power. In her stories she appears as a charismatic leader who wields influence in monastic, civic, and natural realms; she is ever at ease among kings and bishops; she brings healing to body and soul; she displays gifts of exhortation; she has prophetic dreams and sees far into the hidden reaches of the heart. Brigid possesses a sense of justice that prompts her to secure the freedom of prisoners and slaves.

The Annals of Ulster variously give the date of Brigid’s death as 524, 526, and 528. According to one of her early biographers, Brigid was buried in the abbey church she established at Kildare, and she continued to work miracles after her death. Tradition tells that she was moved from Kildare and laid to rest in Dunpatrick alongside two other great saints of Ireland, Patrick and Columba. Her physical grave remains a mystery, but the landscape of Ireland continues to testify to her presence, with forms of the name Brigid appearing in the names of towns, holy wells, and churches. Legends, prayers, rituals, and celebrations (some of which echo the festivities of Imbolc, a major springtime celebration in the ancient Celtic year) continue to expand and sometimes complicate her story, adding their threads to the mysterious tapestry of Brigid’s legacy.

Brigid lent her name to a modern-day monastery that has been a significant part of my own journey for nearly a decade. Founded at the turn of this millennium by Mary Stamps, a remarkable woman who possesses a wondrous share of the spirit of the groundbreaking Irish saint, St. Brigid of Kildare Monastery draws from both Methodist and Benedictine traditions. For more information about this unique community, visit St. Brigid of Kildare Monastery.

A blessed Feast of St. Brigid to you, and may you possess Brigid’s habit of the wildest bounty!

[To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Feast of the Epiphany: A Calendar of Kings

January 6, 2009


Adoration of the Magi © Jan L. Richardson

Reading from the Gospels, Epiphany: Matthew 2.1-12

A blessed Epiphany to you! During the season that has brought us to this feast day, one of the CDs I’ve been listening to is Wolcum Yule: Celtic and British Songs and Carols by the wondrous vocal group Anonymous 4. My favorite piece on this CD is “A Calendar of Kings,” which began as a poem by George Mackay Brown, the prolific poet of Orkney (in northern Scotland) who died a dozen years ago. The poem’s musical setting was composed by Sir Peter Maxwell Davies, whose composition honors and evokes the haunting enchantment of Mackay Brown’s words. In the liner notes, Maxwell Davies comments, “From the imagery, with ice, snowdrops, and daffodils, it is clear that the journey lasts a season, and that the poet has transplanted the setting from the Middle East to his native land and seascape in Orkney, bringing the nativity home in a very vivid way.”

Copyright considerations prevent me from including the entire text of “A Calendar of Kings” here, but here’s an Epiphany treat: you can find the poem by visiting this page on a site devoted to George Mackay Brown. As a lovely bonus, the page includes several pieces from a textile art series whose creators drew their inspiration from this poem. Think of the page as an Epiphany card to you, fashioned by folks who brought their creative eyes and souls to this story of wise ones who dared to undertake a rather strange trip to welcome the God who was born among us.

The image above (slightly cropped for today’s purpose) is from my series The Advent Hours. I wrote this to accompany the artwork:

Pondering the patterns of the heavens, the wise ones found one star, one light that called to them, compelled them, set them on the road. And they came, arriving upon the star-drenched landscape where dwelled the hope of the world in the garb of a child. They stretched out their hands to him, the brilliance of the sky now shimmering in their exquisite gifts: gold, frankincense, myrrh.

I’m taking a bit of time off this week but am aiming to have a reflection on Epiphany 1/Baptism of Jesus posted within the next couple of days. In the meantime, I welcome you to visit last year’s reflection on Matthew’s version of Jesus’ baptism, Epiphany 1: Ceremony (With a Side of Cake).

I’ll send out the Epiphany edition of my e-newsletter this afternoon, so if you’d like to receive it and haven’t already subscribed, I invite you to join my mailing list here.

Merry Epiphany! For this day, for this year, may you have light for the path and, as George Mackay Brown writes of the kings, a place to unload your treasures.

[To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Inviting Epiphany

December 30, 2008

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Wise Women Also Came © Jan L. Richardson

I’m working on a reflection for the gospel lection for Epiphany, but in the meantime, I offer you this festive trio to get the celebration under way. Wise Women Also Came was one of the first collages I did when I started to discover, many years ago, that there was an artist lurking in me. I created this as my Epiphany (i.e., belated Christmas) card the year I graduated from seminary. I made it out of plain construction paper; this was before I had discovered the wondrous world of art papers. (A trip to The Japanese Paper Place, now simply called The Paper Place, while visiting my sister in Toronto changed all that; you could say that walking into its stunning space was, well, an epiphany.)

These wise women made their way onto the cover of my first book, which I was writing during the same time that I was getting to know my inner artist. They also made an appearance in Night Visions, my first book to wed my writing and my artwork. This time a poem accompanied the women:

Wise Women Also Came

Wise women also came.
The fire burned
in their wombs
long before they saw
the flaming star
in the sky.
They walked in shadows,
trusting the path
would open
under the light of the moon.

Wise women also came,
seeking no directions,
no permission
from any king.
They came
by their own authority,
their own desire,
their own longing.
They came in quiet,
spreading no rumors,
sparking no fears
to lead
to innocents’ slaughter,
to their sister Rachel’s
inconsolable lamentations.

Wise women also came,
and they brought
useful gifts:
water for labor’s washing,
fire for warm illumination,
a blanket for swaddling.

Wise women also came,
at least three of them,
holding Mary in the labor,
crying out with her
in the birth pangs,
breathing ancient blessings
into her ear.

Wise women also came,
and they went,
as wise women always do,
home a different way.

Next week, in the wake of an intense season of travels and other endeavors, I’ll resume working on a new book. It’s something of a sequel to Sacred Journeys, the book I was writing when these wise women took shape. Though I rarely find writing easy (when folks ask me if I enjoy writing, I usually say, “I enjoy having written”), I’m looking forward to reentering the rhythm of working on a book in a focused fashion. It seems an opportune time to revisit these wise women as I seek a blessing for the path, and the book, ahead. I wonder who will show up this time, and what epiphanies they will have in store.

Who have been the wise women in your life? What epiphanies have they instigated? Here at the ending of the year, what wisdom do you want to gather up from the past twelve months and take with you into the coming year? What blessing, what gifts, do you need to receive for the path ahead? What gifts do you need to offer, that only you can give?

Peace to you in this time of turning.

[To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Parabolic Curves

November 11, 2008


Buried © Jan L. Richardson

Reading from the Gospels, Year A, Proper 28/Ordinary 33/Pentecost +22: Matthew 25.14-30

So I’ve flown to Toronto, celebrated my sister’s wedding, enjoyed some quality family time (and some crisp Canadian weather), and am winging my way back home as I write. And still those bridesmaids are traveling with me, the ones from last Sunday’s gospel lection. Maybe it has something to do with the synchronicity of their story popping up in the lectionary during the week of my sister’s wedding, but I suspect the persistence of the bridesmaids’ presence simply means they’re not finished with me yet.

It’s the so-called foolish bridesmaids in particular who have lingered with me, the ones who found themselves lacking the oil reserves that would have granted them admittance to the wedding festivities. They’ve been haunting my imagination as curious twins of the wise, well-provisioned bridesmaids. Embodying that which we are urged to reject, the foolish bridesmaids are the wise bridesmaids’ shadow sisters. They challenge us to ponder the part of ourselves that can’t get it together, that is content to live with lack, that is caught in cycles of procrastination and passivity. Their presence calls us to reckon with our resistance toward looking beyond the obvious options.

The foolish bridesmaids appear willing to accept the groom’s verdict, his denial of entry, without question. Perhaps they have forgotten that God performs miracles with oil, as in the story of the hungry widow of Zarephath, who, in her lack, gave hospitality to Elijah, and whose jar of oil was perpetually replenished (1 Kings 17.8-16). The women of Jesus’ parable seem not to know the occasions when God provided water in the wilderness, or the times when Jesus turned a couple of fish and a few loaves of bread into a feast that fed thousands who neglected to pack a lunch, or the story of the woman who told Jesus that even the dogs ate the crumbs from beneath the master’s table, and who thereby won a healing for her daughter. The foolish bridesmaids haven’t heard the story of the widow who hounded the judge until he gave her justice. They haven’t encountered Jesus’ counsel in Luke 11, where, in teaching about persistence in prayer, Jesus invites his listeners to imagine going to the house of a friend at midnight and asking for three loaves of bread for a guest who has arrived. “I tell you,” Jesus says, “even though he will not get up and give him anything because he is his friend, at least because of his persistence he will get up and give him whatever he needs.” Jesus goes on to say, “Ask, and it will be given you; search, and you will find; knock, and the door will be opened for you” (Luke 11.5-13).

Denied entry, these oil-poor bridesmaids don’t know—or don’t care—that they can knock harder on the door that bars them from the wedding feast, and that God has a fondness for those who, faced with two choices, search for Option C.

The Parable of the Bridesmaids is not merely a prelude to the parable of this week’s gospel lection but a parallel to it; in a sense, Matthew 25.14-30 is a retelling of the bridesmaids’ tale. Jesus emphasizes these parables’ parallel nature in the simile with which he starts his story: “For it is as if,” he says, and launches into his narrative of the man who, “going on a journey, summoned his slaves and entrusted his property to them; to one he gave five talents, to another two, to another one, to each according to his ability.” And thus begins one of Jesus’ most familiar parables.

We likely know the rest of this story, how one slave turns his five talents into ten, how the next turns his two talents into four, and how the third slave buries his single talent in the ground. On the day of reckoning, the two slaves proffer their profits and receive the expected praise, while the third offers this account: “Master, I knew that you were a harsh man, reaping where you did not sow, and gathering where you did not scatter seed; so I was afraid, and I went and hid your talent in the ground. Here you have what is yours.” He receives a thorough castigation for being wicked and lazy. His one talent is given to the man who now has ten, with the master offering this rationale: “For to all those who have, more will be given, and they will have an abundance; but from those who have nothing, even what they have will be taken away.” The parable ends with the master’s command to throw this “worthless slave…into the outer darkness, where there will be weeping and gnashing of teeth.”

Okay, may I just say it? I find myself liking the third servant more than the first two. The entrepreneurial servants of the parable do precisely as expected: they enlarge the master’s fortune in his absence, they follow his plan without question, they perform as he has compelled them to do. The third fellow, however, calls things as he sees them. He knows his master is corrupt, and, with a curious mix of courage and fear, he says so to his face. And thereby reaps the master’s wrath.

So I find myself wondering, why is it that we most often read this passage as a judgment against the third servant and not against the man who has perpetuated an unjust system? Do we really think that the harsh and reportedly corrupt master of this parable represents God, who, after a period of absence, comes back prepared to throw out those who have not performed as expected? Do I really want to be like the first two servants, willing to participate in and perpetuate injustice?

Much like the wise bridesmaids, the two multi-talented men serve as the foil for the one who proves inept and unprepared. One could say they are the suck-ups who provide a contrast to the screwup. We might wonder at a parable that presents a narrative ecosystem in which the only available choices seem to lie either in perpetuating the master’s corrupt business plan or hiding his loot in the ground.

But we might wonder, too, at the servant who perceives these as the only options. He is savvy enough to recognize the system that surrounds him, and, presumably, he has participated in it up to this point. He finally demonstrates a measure of bravery that enables him to, as the phrase goes, speak truth to power. But like the foolish bridesmaids, he possesses a streak of passivity that, within the landscape of the parable, proves his undoing. Perhaps this is what makes each of them—the hapless bridesmaids, the single-talent servant—foolish: ultimately, they prove unwilling to take responsibility for pushing toward another option, looking for another choice. They have forgotten the God who startles with stunning abundance in the midst of the starkest lack.

The servant who buried his sole talent reminds me that when we cannot imagine other possibilities, we tend to hoard what we have, clinging to what is comfortable or at least familiar. And not only to hoard, but to hide. In the absence of eyes to see the wealth that God reveals in the wilderness, we secret away what small measure we have, thinking it will be enough to sustain us, and hoping it will protect us. It’s difficult, however, to draw sustenance from secrets, and it’s hard even for God to bless and multiply that which remains hidden. Darkness has its uses, and its gifts: growth requires gestation, a season of deep shadow, the absence of light for a length of time. But what we leave underground too long grows distorted and becomes decayed. As the third servant discovered, what we hide—our habits, our beliefs, our own selves—has a way of unburying itself.

I take this parable seriously as a profound call to unhide ourselves, to resist accepting the obvious options, to stretch ourselves toward the fullness for which God created us. I recognize how this story, along with the parable of the bridesmaids, warns of the pain that comes from our passivity. Yet I also read this parable in the light of the stories of the God who does miracles with what is most basic and elemental: oil, water, wine, bread, our very selves. This is the stuff in and through which God brings transformation, and the means by which God sustains the world.

This week I find myself wondering, what do I hide, and why? What parts of my created self have I sent underground? Is there anything I’ve left too long in the dark? Do I harbor any passivity that I need to invite God to turn into persistence? As the season of Advent approaches, with its rich play of light and dark, what might God desire to reveal and to transform in my own life?

In these lingering days of Ordinary Time, may God stir our imagination, sharpen our vision, and give us courage to unhide what God desires us to offer. Blessings.

[To use the "Buried" image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Feast of All Saints: A Gathering of Spirits

October 26, 2008


A Gathering of Spirits © Jan L. Richardson

Ahhhh…it’s the Feast of All Saints, almost. I love this time of year. Here in central Florida we’re just beginning to touch the fringe of Autumn’s cloak. There’s something stirring, a shift in the works, and it doesn’t have to do solely with the weather.

I’m not sure quite when it started, but for many years, the trinity of days from October 31 to November 2, encompassing Halloween, All Saints’ Day, and All Souls’ Day, has been a thin place in the landscape of my year. The ancient Celts, who celebrated the major festival of Samhain around November 1, believed that the veil between worlds became especially permeable at this time. In something of that spirit, I find that these days offer an invitation to ponder the past. Not with a desire to return to it, or to second-guess it, but with a mindfulness of what has gone before, and perhaps to have a brief visit from the ghosts of What Might Have Been.

It’s this kind of impulse that gave rise to the feasts of All Saints and All Souls. Recognizing the ancient habit of looking to the past at this time of year, the church created new ways to remember the dead with practices in which we can still hear the echoes of the ancient celebrations. Each culture that observes these feast days continues to add their own layers of meaning and mystery, as with the Día de los Muertos (Day of the Dead) celebrations that originated in Mexico (and which, of course, rest on pre-Christian festivities). My own observance of these days usually includes setting aside some time for quiet, for remembering, for prayer, for doing some writing that’s just for me. And good food, of course. And lighting a few flames.

I had a taste of the Feast of All Saints a bit early this year. The theme for the Grünewald Guild’s gala dinner and auction that Gary and I helped with in Washington last weekend was A Gathering of Spirits. The title came from Carrie Newcomer’s song of the same name, which she wrote out of her experiences of teaching at the Guild. I created a piece of artwork for the auction and the cover of the evening’s program—it’s the image you see above—and designed it with the theme, and Carrie’s song, in mind. It shares the same title.

The folks who contributed artwork to the auction each had to write an artist’s statement to accompany our piece. Here’s how mine went:

Before the paint, before the color-drenched layers, it began with a prayer. Penciled words across the white paper: a litany of blessing, a liturgy of thanksgiving for a holy place in the Plain Valley where the worlds of art and faith intertwine. Then the painting, then the cutting, then the layering of papers atop the penciled prayer. With every piece, another prayer; with every layer, another memory of those who have passed through the thin, thin place that is the Guild. Remembering how their presence lingers. A communion of saints, say, to sustain us when the way grows daunting. Or call it this: a gathering of spirits.

What stirs your memories in this season? Who are the folks, living or dead, who linger close in these days? Whom do you gather with? Who or what haunts you? How do your memories help inspire your path ahead?

May this week offer you a thin place and a gathering of good spirits. Blessings.

(To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!)

Crossing the Country, Thinking of Love

October 24, 2008


The Two Commandments © Jan L. Richardson

Reading from the Gospels, Year A, Proper 25/Ordinary 30/Pentecost +19: Matthew 22.34-46

Last week. Thursday. Gary and I are somewhere over the continent, making an arc toward Seattle. We are flying across the country to help with an event for the Grünewald Guild; Gary to perform, me to serve as emcee for the gala dinner and auction that will help raise funds to sustain this remarkable retreat center. This is a bonus trip, an out-of-season treat; I’ve never been to Washington State except in the summer, when I go to teach at the Guild, nor have I seen most of these folks anywhere but on the Guild’s property.

I’ve finished the collage for this post and am ambitious to think that I can write the accompanying reflection en route to Seattle. With my tray table serving as a makeshift desk, I turn to Sunday’s lection once again. Matthew gives us another encounter between Jesus and the Pharisees, with this one containing their question, “Teacher, which commandment in the law is the greatest?” Quoting from the Hebrew scriptures, Jesus tells them, “‘You shall love the Lord your God with all your heart, and with all your soul, and with all your mind.’ This is the greatest and first commandment. And a second is like it: ‘You shall love your neighbor as yourself.’ On these two commandments,” Jesus says, “hang all the law and the prophets.”

I pull out some notes that I had jotted down as I prepared for this trip. They are filled with impressions, questions, points of connection between the text of the scripture and the text of my life. There are scripture verses I’ve scribbled down. This passage not only drew from earlier sources but also inspired later scripture writers, so there is a web of texts that link to this one. I’ve written down Deuteronomy 6.5, from which Jesus quotes in responding to the Pharisees. It’s part of the Shema, the prayer that lies at the heart of Jewish life: “Hear, O Israel: The Lord is our God, the Lord alone,” the ancient prayer begins. And Leviticus 19.18: “You shall not take vengeance or bear a grudge against any of your people,” God compels Moses to tell the people of Israel, “but you shall love your neighbor as yourself: I am the Lord.” There is Mark 12.28-34, a parallel to Matthew’s version, which places Jesus’ questioner in a rather different light. And Luke 10.25-37, where, alone among the synoptic gospels, Jesus uses the question as an occasion to tell the Parable of the Good Samaritan.

Romans 13.8-9 appears among my notes. “Owe no one anything,” Paul urges the church in Rome, “except to love one another; for the one who loves another has fulfilled the law.” Galatians 5.14, in which he writes, “For the whole law is summed up in a single commandment, ‘You shall love your neighbor as yourself.’” And James 2.8, where the writer refers to love of one’s neighbor as the “royal law.”

Psalm 110.1 made its way into my notes. It’s the piece of poetry that Jesus quotes in the second portion of this week’s lection, where he poses his listeners a question about how David can call the Messiah “Lord,” if the Lord is his son. It seems a bit of an odd turn, a particularly circuitous question that Jesus has devised to stump his listeners. (It works, evidently. “No one was able to give him an answer,” Matthew says in concluding the passage; “nor from that day did anyone dare to ask him any more questions.”)

Looking up from my notes, I hand the gospel passage to Gary, ask him what he thinks. Does this second part of the reading offer a connection with Jesus’ words about love, or is it a distinct passage that happens to be in the same lection but requires a separate treatment? Gary ponders the passage for a bit, then suggests that each portion offers a commentary on the relationship between humans and God. The first part seems straightforward, if sometimes gut-wrenchingly difficult. In the second part, there is a deft subtlety in Jesus’ confounding question. In challenging his hearers to ponder how the Messiah can be both David’s ancestor and heir, Jesus underscores the manner in which he stands both within time and beyond it. He is Love embodied, entering into the fullness of what it means to wear flesh in this world. Yet he reminds us that Love is not bound by time, is not confined to chronology, can take us in seeming circles as we enter deeper and deeper into its mysteries.

I ponder these things, then finally I put my notes away, and my Bible, and my laptop. I am tired in body and in brain. There is time yet to try to work all the scattered notes and questions and thoughts into some sort of coherence. For now, I sit back, speeding over the darkened, unseen landscape below. Jesus’ words persist like a refrain, like a heartbeat, a steady pulse as we pass through another time zone, and another. Arcing across the country, I am traveling with someone I love, traveling toward people I love, all of whom continue to teach me about the mysteries of the simple yet achingly intricate commandment of love, this ancient law that draws us so far beyond ourselves and yet circles us deeply back within.

I close my eyes, resting before the arrival. Waiting. For now, it is enough.

How about you? What challenges and what gifts do you find in Jesus’ words in this passage? Where has love led you? Toward what—or whom—do you feel it drawing you? What sustains you along its path?

Blessings.

[To use the "Two Commandments" image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]