Archive for the ‘medieval’ Category

Epiphany 1: Take Me to the River

January 8, 2009

blog-2009-01-07
Baptism of the Beloved © Jan L. Richardson

Reading from the Gospels, Epiphany 1/Baptism of the Lord: Mark 1.4-11

Here’s how I imagined my time between Christmas and Epiphany: lots of quiet, a good dose of solitude, room to breathe during the lovely pause between the Almost End of the Holidays and the (in my calendar, at least) Actual End of the Holidays. I envisioned an expansive space of respite in which to gather the energies I had spent since before Advent and to do some internal preparation for the year to come. I imagined walks, and naps, and copious amounts of reading.

I have indeed had some splendid time away from work in the past two weeks (to the extent that a writer/artist/minister can ever lay her work aside). It’s included great visits with family and with distant friends passing through town, and a few but not enough walks, and some but not enough reading, and lovely time with my sweetheart Gary, who saw rather less of me during Advent than usual.

I have found myself, however, having a hard time resisting the urge to fling myself into the projects, old and new, awaiting me at this turning of the year. I love my work (most days), I am eager to pick up existing projects and get started on new ones, and more and more I feel the press of time. As a result, I haven’t been entirely successful in resisting the pull of those projects during these post-Christmas days. I’m aware that I never really put them down in the first place.

So here on the day after Epiphany, I’m pondering what I need in order to enter the new year feeling refreshed instead of frenzied. I’m realizing that being eager to dive back into the projects is not the same thing as being ready—really ready, internally ready, soulfully ready—to take up the work that lies ahead.

And here comes Jesus in this week’s gospel reading, heading for the Jordan, presenting himself to John the baptizer, submitting himself to the sacramental waters. Jesus, who has been who knows where for something like three decades, discerning and preparing. He is ready to fling himself into the work awaiting him. And yet not ready. He needs something. A river. A ritual. A recognition. You are my Son, the Beloved, he hears as he comes up from the waters, drenched with the Jordan; with you I am well pleased.

In their depictions of the baptism of Jesus, medieval artists often painted the river rising to meet the naked Messiah, surging up to enfold him, arcing around his waist. Often this appears to be for modesty’s sake, though the usual transparency of the river doesn’t entirely accomplish that aim. At times, however, the rising of the river seems to be for nothing but pure joy: the creation reaching out to meet and enfold Christ, the God who has become intimately, incarnately intertwined with the world. In some depictions, such as this one in a medieval Psalter, even the fish rise with the waters, leaping as if in recognition of the one who has waded into their midst. Leaping like John the Baptist did when he and Jesus met for the first time, as Luke tells it, in the waters of their mothers’ wombs.

There are times when our lives rise up to claim us, occasions when that which we were born to be leaps up to envelope us. Something calls our name. Reminds us we are blessed and beloved. Baptizes us. Sends us forth.

When we are graced (and challenged) with moments when the work ahead of us is clear, when we know what it is we are to do, sometimes there is preparation still to be done. Jesus knew this, knew he needed the ritual that John had to offer, knew he needed that baptism and blessing. And so, standing on the hinge of this year, seeing with some measure of clarity the work that lies ahead, the work that I was created to do, I’m giving some thought to what kind of blessing I need to seek so that I can dive into that work already drenched. What ritual, what respite, what river do I need to take myself to?

How about you? What do you need as you launch into this new year? Are you ready enough, or is there yet some preparation, some blessing you need in order to bring your whole self to what lies ahead? How might you seek this? Who can help?

In the days to come, may God drench you, bless you, call your name.

Beloved.

[To use this image, please visit this page at janrichardsonimages.com. For all my artwork for the Baptism of the Lord, please see this page. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Merry (Continued) Christmas!

December 26, 2008

presentationinthetemple
Presentation the Temple © Jan L. Richardson

Reading from the Gospels, Christmas 1: Luke 2.22-40

A blessed Feast of St. Stephen and a Happy Boxing Day to you! Advent tends to be such an intense season for me that this year I find myself particularly grateful that Christmas is not just one day, concluding at midnight last night (at which point the radio station I was listening to abruptly ceased its Christmas music) but rather a period of twelve days. There’s some variation as to when the Twelve Days of Christmas begin; some say Christmas night, others begin counting on December 26; regardless, it’s finished by Epiphany on January 6. The point, however, is that Christmas invites us to not wrap up our celebration of the Incarnation too quickly.

This period offers us several feast days that add texture to the season. Two of them commemorate folks who were important in the life of the early church; today is the Feast of St. Stephen (the first Christian martyr), and tomorrow is the Feast of St. John the Evangelist (to whom the fourth gospel is attributed). December 28 offers us the Feast of the Holy Innocents, which bids us remember Matthew’s story of the slaughter of the male children in Bethlehem. This feast in particular calls us to acknowledge the shadow side of Christmas and to be mindful of our call to relieve the suffering that persists even amid the joy of the Incarnation.

This year, as I recover from the blessed intensities of the Advent season, I’m giving particular thought to how I might linger in my celebration of Christmas, how I might find some festive rest in these days. In this period between Christmas Day and Epiphany, are there any practices I might take on that would help me savor this season? Might those practices become new traditions in my own observance of the fullness of Christmas?

In the spirit of seeking some rest in this time, my reflection on the lectionary this week will be abbreviated. This Sunday the Revised Common Lectionary gives us Luke 2.22-40 for our gospel reading. Luke tells us of how Mary and Joseph take Jesus to the Temple, which, according to the law, would have occurred forty days after Jesus’ birth. They went not only to present Jesus but also for Mary to go through the prescribed rituals of purification following a birth. In the Temple they meet the prophets Simeon and Anna, who have long waited for this moment.

When I created a mixed media series called The Advent Hours a few years ago, I included a depiction of this moment in the Temple; it’s the image above (somewhat cropped for my purposes here). In creating it, I borrowed from medieval artists who rendered this scene, particularly the artists whose illuminated prayerbooks inspired this series. This is what I wrote to accompany my version of the Presentation in the Temple:

A light for revelation, Simeon says of Jesus when Mary and Joseph go to the temple to engage in the rituals required after the birth of a child. Medieval artists sometimes conflated the Presentation in the Temple with the Circumcision of Jesus, which would have happened several weeks previously. Although Simeon wouldn’t have actually held the knife, as these medieval artists sometimes depict, he has cutting words nonetheless: And a sword will pierce your own soul, too, he says to Mary. Then the prophet Anna arrives, and she sings of redemption, and perhaps Mary remembers: A light, he said; a light for revelation. A luminous Word.

So how might these Christmas days invite you to linger with the luminous Word whose birth we are not done celebrating? Where do you find yourself in the wake of December 25th? What were the gifts of Advent? What were the challenges? What do you need now? How will you get it?

December 26 finds me feeling both sentimental and expectant. Not to mention tired. But recovering. In the wee hours of yesterday morning, I posted my final reflection for this year’s journey toward Christmas at The Advent Door. As with last year, publishing my Christmas reflection, and ending the Advent pilgrimage, offered a poignant mix of relief and regret. Intense as they are—and in part because of their very intensity—I love the days of Advent, love diving into their richness and finding what new words and images they have yet to offer me. I’m always a little sorry to see those days go. But—they’ll come around again next year, inviting us once again to find new gifts in the ancient story of the Word that came, and comes still, as light and life.

If you didn’t make it all the way through The Advent Door, I invite you to pay a visit there as we move through these lingering days of Christmas. Until Advent rolls around again next year, I look forward to finding what the coming months have to offer and exploring that here at The Painted Prayerbook. I am grateful beyond measure for your presence on the path.

Merry (Twelve Days of) Christmas to you, and a wondrous new year ahead!

Feast of St. Francis

October 4, 2008


Saint Francis © Jan L. Richardson

Happy Feast of St. Francis! As I mentioned on the Feast of St. Clare, the hospitality of Franciscans has been a pivotal gift in my life, and I owe them much for helping to preserve my vocation and to sustain me when I made a flying leap into ministry beyond the local church. In particular, it was my Franciscan friend Brother David who helped to inspire that leap and gave me a place to land. I had met him when I was serving as a pastor. Shortly afterward, he established a Center for Art and Contemplation at the retreat center where he worked and where, thanks to the good graces of the Franciscans and not a few other folks, I would become artist-in-residence for some years.

David and his brothers at San Pedro Center gave flesh to the wonders and challenges of Franciscan life and to the spirit of St. Francis. Born in Italy in the 12th century, Francis gave up the riches of his family in order to embrace a life of radical devotion to God and to God’s creatures. He took as spouse the one whom he called Lady Poverty, and a community began to gather around him; they became known as the friars minor (“lesser brothers”). Their rhythm of life included preaching missions (Francis traveled widely, journeying even to Egypt), periods of fasting and prayer, and service to those who lived on and beyond the margins of the society, notably those living with leprosy. It was during a period of fasting and prayer prior to the Feast of Michaelmas that Francis, secluded on a mountain with Brother Leo, received the stigmata—the wounds of Christ.

We know St. Francis in large part for The Canticle of the Creatures, which he began during a time of intense illness. Of his desire to write the canticle, he said to his brothers, “I wish to compose a new hymn about the Lord’s creatures, of which we make daily use, without which we cannot live, and with which the human race greatly offends its Creator.” His praises include, famously, “Sir Brother Sun” and “Sister Moon and the stars” as well as “Brother Wind,” “Sister Water,” and “Brother Fire.” He counted mortality among God’s familiar and familial creatures; on his deathbed, Francis added verses that included the line, “Praised be You, my Lord, through our Sister Bodily Death, from whom no one living can escape.”

Francis left behind a handful of other writings that testify to his deep and simple love of God. With World Communion Sunday coming up tomorrow, it seems fitting to include this portion from A Letter to the Entire Order, which Francis wrote in 1225-1226:

Let everyone be struck with fear,
let the whole world tremble,
and let the heavens exult
when Christ, the Son of the living God,
is present on the altar in the hands of a priest!
O wonderful loftiness and stupendous dignity!
O sublime humility!
O humble sublimity!
The Lord of the universe,
God and the Son of God,
so humbles Himself
that for our salvation
He hides Himself
under an ordinary piece of bread!
Brothers, look at the humility of God,
and pour out your hearts before Him!
Humble yourselves
that you may be exalted by Him!
Hold back nothing of yourselves for yourselves,
that He Who gives Himself totally to you
may receive you totally!

And in the Earlier Rule that Francis wrote for his community, he pleaded,

Therefore,
let us desire nothing else,
let us want nothing else,
let nothing else please us and cause us delight
except our Creator, Redeemer and Savior,
the only true God,
Who is the fullness of good….

Therefore,
let nothing hinder us,
nothing separate us,
nothing come between us.

On this day of celebration, and all the days to come, may it be so. Happy Feast!

(Quotations from Francis of Assisi: The Saint, ed. by Regis Armstrong, O.F.M. Cap., et al.)

Artwork: detail from “St. Francis” © Jan L. Richardson. To use this image, please visit this page at janrichardsonimages.com. Thank you!

Feast of Saint Clare

August 11, 2008


Saint Clare © Jan L. Richardson

When I became the Artist in Residence at a Catholic retreat center more than a decade ago, it was due in large measure to the hospitality of the Franciscan community that administered the center. I harbor a deep fondness for Franciscans as a result, and so today is a particular day of celebration. It’s the Feast of Saint Clare, the friend and colleague of Saint Francis who became a remarkable leader in her own right.

Born in Assisi, Italy, around 1194, Clare was the third of five children born to the well-to-do Favorone family. The story is told that as Clare’s mother Ortulana anxiously prayed for her child’s safe birth, a voice called to her, “O lady, do not be afraid, for you will joyfully bring forth a clear light that will illumine the world.” When she gave birth to a healthy daughter, Ortulana and her husband named her Chiara or Clare: the clear one, the bright one.

In his book Clare of Assisi: Early Documents, Regis Armstrong relates a story about Clare that took place on Palm Sunday in 1212. He writes that “when all the young ladies of the town customarily dressed in their finest and proudly processed to the Bishop for a palm branch…Clare remained in her place, prompting him to come to her.” Although some ascribed her reticence to shyness, Armstrong suggests that this was “a symbolic gesture suggesting her renunciation of the social conventions of the time with all the vanity and appeal to wealth with which they were imbued and the Bishop’s awareness and reverence of the movement of God within her.” That same Sunday, Clare, who had befriended a radical young preacher named Francis, secretly went to Our Lady of Angels, the Portiuncula, where she made a commitment to Francis and his spiritual brothers to embrace their life of devotion and poverty.

Clare lived in several monasteries, moving more than once to avoid pressure from her family, who had sought to arrange a marriage for her. Other women later joined her, including her mother, and Clare became the leader of the Poor Ladies of San Damiano, later to be known as the Poor Clares. Clare and her sisters shared Francis’s passion for poverty, humility, and charity to all, particularly those on the margins of the affluent society in which Clare and Francis had grown up.

In a time when women’s monastic communities received various forms of protection from the church, including financial support, Clare insisted that her community have the right to poverty, trusting that the goodwill of others would provide for their needs. The church authorities resisted Clare on this point, but she refused to relent. Finally, on August 10, 1253, Clare received an approved copy of the Rule she had written for her community. Bearing the seal of Pope Innocent IV, the document ensured that the charism of poverty would remain the privilege of the community that Clare had founded. Clare died the next day.

Although tradition attached to Clare the identity of la pianticella (the little plant) of St. Francis, she embodied her own distinct vision, one that continued to shape Franciscan life after Francis’s death. Clare’s few surviving writings reveal a deep commitment to a God-centered life, a life in which she sought to give up all that would hinder intimacy with God.

In Clare’s “Second Letter to Blessed Agnes of Prague,” she offers this blessing:

What you hold, may you [always] hold.
What you do, may you [always] do and never abandon.
But with swift pace, light step,
unswerving feet,
so that even your steps stir up no dust,
may you go forward
securely, joyfully, and swiftly,
on the path of prudent happiness,
not believing anything,
not agreeing with anything
that would dissuade you from this resolution
or that would place a stumbling block for you on the way,
so that you may offer your vows to the Most High
in the pursuit of that perfection
to which the Spirit of the Lord has called you.

And so may this be our blessing for this day. Happy Feast of Saint Clare!

Artwork: detail from “Saint Clare” © Jan L. Richardson. To use this image, please visit this page at janrichardsonimages.com. Thank you!

Clare’s blessing is taken from Regis Armstrong’s book Clare of Assisi: Early Documents.

Something Old, Something New

July 23, 2008


Something Old, Something New © Jan L. Richardson

While I was at St. John’s University in Minnesota last week, I made a couple of visits to the Hill Museum and Manuscript Library (known in those parts as the HMML). The Benedictine monks of St. John’s founded the HMML to preserve the medieval manuscript heritage of Europe, Africa, and the Middle East, and it’s always a favorite destination for a girl with a blog called The Painted Prayerbook. This summer the HMML is home to a tasty exhibition of original folios from The Saint John’s Bible, the first Bible to be written and illustrated entirely by hand in more than five hundred years. Featuring the Wisdom Books section of The St. John’s Bible, the exhibition marks the completion of five of the planned seven volumes of this contemporary manuscript. By the time that Donald Jackson and his team of scribes and artists complete their lavish, monumental work, the Bible will have absorbed about ten years of their lives.

A group was touring the exhibition during one of my visits to the museum. As I took in the folios, with the gold dancing on their pages, I tuned an ear to the comments that the group’s HMML guide offered. After her presentation, she fielded a number of questions. “Why,” one person asked, “in this age of high-quality printing technology, would someone spend the time to create an entire Bible by hand?” As the guide responded, she spoke about the value of recovering ancient practices of bookmaking as a sacred art, and of the beauty that emerges in fashioning something by hand. She pointed out that contemporary technology has played a significant role in The Saint John’s Bible; a designer used a computer to plan the entire layout of the pages before the team began to lay the first strokes of ink, paint, and gold leaf on the vellum sheets.

It’s a treasure that draws from what is old and what is new.

We hear about such treasures in this week’s gospel lection, Matthew 13.31-33, 44-52. Jesus, who is in a parable-telling mood at this point in the gospel, offers a series of images that describe what the kingdom of heaven is like. He speaks of a mustard seed that grows into a tree, yeast that a woman mixes with flour, a man who discovers treasure hidden in a field, a merchant who finds a pearl of great value, and a net filled with fish. Jesus closes the litany of images by saying, “Therefore every scribe who has been trained for the kingdom of heaven is like the master of a household who brings out of his treasure what is new and what is old.”

The scribe about whom Jesus speaks is a rather different sort of scribe than those who have been laboring over The Saint John’s Bible. Jesus’ scribe is one versed in Mosaic Law, a person who knows and draws from the wealth of the law and also recognizes new treasure when it appears. Yet the scribes of The Saints John’s Bible, and the pages they have created, embody what Jesus’ kingdom-images evoke. Each reminds us of how the holy, which so often seems hidden, emerges when we stretch ourselves into searching for it, seeking it, laboring toward it. The bakerwoman kneading in her kitchen, the man who sells all that he has to buy the field, the merchant who gives up everything to purchase the pearl of great price, the scribe trained for the kingdom of heaven, the householder who brings forth treasure old and new: each of these has given themselves, devoted themselves, to a particular process by which treasure emerges. They know what skills it takes, what vision, what devotion. Each trained in their particular art, they possess in their bones the knowledge that tells them what ingredient to use, what tools old or new to employ, what treasure lies before them.

Offering these images, Jesus recognizes there are things that are worth a long devotion; there is treasure worth giving ourselves to for a decade, a lifetime. Such treasure might not have a usefulness that is obvious, or readily grasped. In a world where technological shortcuts abound (and are useful at times, to be sure)—bread machines, metal detectors, faux pearls, computer printers—something happens when we take the long way around, when we hunt for the holy that often loves to hide in work that takes time, takes the development of skill, takes commitment, takes the long view.

I think of when I was first learning calligraphy a few years ago. There was no getting around the need for practice. Over weeks and months, as I covered page after page with ink, shaky lines steadily grew more sure, and awkwardness began to give way to art.

This type of long laboring and searching reveals something about our own selves. Submitting ourselves to a process of practicing brings secret parts of ourselves to the surface; it draws us out and unhides us, and the holy that dwells within us. “The kingdom of God is among you,” Jesus says in Luke 17.21. Among us, and meant to be uncovered, to become visible, to offer sustenance and grace for the life of the world. Like bread. Trees. Pearls. Pages. Treasure born of what is old and what is new.

What treasure have you found, or long to find, in the hidden places of your life? What searching, what seeking might God be challenging you toward, to uncover what’s been buried? Is there anything in your life that invites you to encounter the holy in a process that takes time, practice, skill, devotion? What of yourself do you find in that, and what do you find of God?

May this week bring a hidden gift your way. Blessings.

[To use the “Something Old, Something New” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Feast of Mary Magdalene

July 22, 2008


Magdalene Ascending: The Divine Hours
© Jan L. Richardson

Happy Feast of Mary Magdalene! In the rhythm of the Christian year, this is the day when we especially remember and celebrate the friend and disciple of Jesus who, along with other women, provided support for his ministry. For proclaiming the news of Christ’s resurrection, the Magdalene became known as the “Apostle to the Apostles.”

The Bible offers few details about her life—only Luke mentions her prior to her crucial role at Jesus’ death and resurrection. But having sparse information about her life leaves lots of room to spin some great stories. In the Middle Ages, a cycle of legends emerged that elaborated upon the Magdalene’s leadership in the early Christian movement. As a preacher chick, I’m particularly fond of the legend that involves Mary Magdalene moving to France and becoming a famous preacher; she is also said to have released prisoners from a French jail.

The legends tell, too, that Mary Magdalene spent the final years of her life as a hermit in the wilderness, clad only in her long hair. At the canonical hours, angels would come and swoop her up to heaven to share in the liturgy, then return her to the wilderness until they came to swoop her up again. The above image depicts that legend; titled Magdalene Ascending: The Divine Hours, it comes from the series The Hours of Mary Magdalene, which you can visit here (click on the images for enlarged views). Inspired by depictions of Mary Magdalene in medieval Books of Hours and in other artwork from the Middle Ages, the series draws from the legends of the Magdalene as well as biblical accounts that offer intriguing hints about her life.

Think of the images as greeting cards from me to you on this day. A blessed feast to you!

Easter Sunday: Out of the Garden

March 22, 2008

Image: Resurrection © Jan Richardson

Reading from the Gospels, Easter Day:
John 20.1-18 or Matthew 28.1-10

John’s telling of the Easter story has long had a powerful hold on my imagination. The encounter between Mary Magdalene and the risen Christ continues to coax me deeper into the mysteries of this day. I have written elsewhere about some of the things that strike me about their garden meeting, including how Mary has to decide whether she will try to cling to what she has known, or whether she will accept Jesus’ invitation to leave the garden and proclaim what she has seen this day.

What I find myself pondering this time around, however, is what happens after Mary Magdalene leaves the garden. For her willingness to let go, to step into her new life, and to proclaim what she has seen, the Magdalene becomes known (at least in some quarters) as the “apostle to the apostles.” There’s a wonderful depiction of her apostolic proclamation among the pages of an illuminated manuscript that’s among my favorites. The St. Albans Psalter belonged to a 12th-century Englishwoman named Christina of Markyate, for whom the psalter may have been originally created. Christina lived as an anchoress, a woman called to prayer and solitude. I wonder what this woman, so devoted to the Word, thought about as she pondered this image of Mary Magdalene, telling the good news of the risen Word. Scholars have pointed out that such a depiction of Mary was, in those days, quite rare.

Centuries after the fact, the Magdalene’s Easter proclamation contributed to the wonderful legend that she moved to France and became a famous preacher. (Here’s my depiction of that legend; I like to think that after this sermon, Mary went for an espresso and a chocolate croissant. France, you know?) This tale of Mary the French evangelist is one in a cycle of Magdalene legends that are short on evidence but long on power and charm. Though lacking in fact, such legends offer insights into the lasting power of Mary Magdalene to stir questions about her role in the life of Jesus and in the formation of the early church.

Whatever may have become of the Magdalene beyond Easter morning, John’s Gospel clearly tells us that it was to her that the risen Christ first revealed himself, and she was the one he called to carry the news that everything had changed.

On the threshold of this Easter morning, what is the good news that the risen Christ calls you to proclaim? Is there anything you need to release, in order to tell what you have seen?

On this day: blessings, blessings.

[To use the image “Resurrection,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Holy Saturday: A Day Between

March 21, 2008

Holy SaturdayImage: Holy Saturday © Jan Richardson

Reading from the Gospels, Holy Saturday: Matthew 27:57-66 or John 19:38-42

At the end of my yoga session this morning, I relaxed into the pose that’s called Savasana, or the Corpse Pose. On this day of thinking about Christ in the tomb, the pose gave me pause.

I thought of a visit to Minnesota a few years ago, and how a friend took me to a nearby Catholic church where you can take a drive-through tour of the Stations of the Cross. Each station offers a large carved relief, with the most elaborate being a life-sized rendering of the Crucifixion. Beneath the Crucifixion, you can look through a sheet of plexiglass to see Christ stretched out in his tomb. It is…interesting. Not the kind of thing that a Methodist girl often comes across.

On Holy Saturday, the lectionary presents us with a choice of Gospel readings. Both readings describe the burial of Christ, with Joseph of Arimathea figuring in each one. Matthew’s version tells us that Mary Magdalene and “the other Mary” (the mother of James and Joseph) were present, sitting opposite the tomb as Joseph of Arimathea laid Jesus in the tomb, rolled a stone across its entrance, and walked away. In John’s Gospel, Nicodemus helps Joseph of Arimathea with Jesus’ burial, bringing a hundred pounds (a hundred pounds!) of myrrh and aloes that he and Joseph use as they wrap Jesus in his shroud and lay him in the tomb. I love how Nicodemus, whom we encountered on the second Sunday of Lent, shows up again here; the man who questioned Jesus about the womb now tends his body at the tomb.

Though the Sabbath soon descended after Jesus was laid in the tomb, some traditions hold that Jesus did not rest on this day. We see evidence of this in the Apostles’ Creed, in versions that follow the words “crucified, dead, and buried” with “He descended into hell” (or “He descended to the dead”). The idea that Christ descended into hell is particularly prevalent in Orthodox Christianity. It’s also known as the Descent into Hades, the Harrowing of Hell, or the Anastasis (Resurrection). Searching online for artwork depicting this scene, I found one image titled “Christ Visits Hell,” which makes it sound like a vacation. Artwork of the Descent regularly depicts Christ releasing Adam, Eve, and others from captivity in the underworld, such as in this image from the 12th-century Winchester Psalter. The Descent embodies the idea that the one who fully entered our humanity on earth and thereby freed us was able also to enter even into hell and release those in bondage there.

Whatever Christ was up to (or down to) on Holy Saturday, for his followers it was a day of sorrow and bewilderment. Bereft of the one around whom they had shaped their lives, they had to choose whether they would isolate themselves in their sorrow and fear, or whether they would remain together and wait for a way to present itself.

Holy Saturday is not a day for answers. It is a threshold day, a day that lies between, and so resists any easy certainty. It is a day of waiting, of remembering to breathe, of willing ourselves to turn to one another when grief lays hold of us. It is a day to open ourselves to the one who goes into the places of deepest pain and darkest fear, in order to bring us out.

What stirs within you on this holy, in-between day?

[To use the image “Holy Saturday,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Unbinding Words, Part 2

March 8, 2008

initial-i.jpgn the Middle Ages, artists depicted the raising of Lazarus with styles that varied but drew upon standard elements. The artists presented the viewer with the entire scene: a commanding Jesus summons forth Lazarus, who appears in some state of enshroudment. A crowd gathers around; typically, at least one of the bystanders holds his or her nose, underscoring practical Martha’s observation: “Lord, already there is a stench because he has been dead four days” (John 11.39). The Limbourg Brothers offer such a depiction in Les Très Riches Heures du Duc de Berry (The Very Rich Hours of the Duke of Berry), which was, as its title suggests, one of the most lavish Books of Hours of the medieval period. You can visit The Raising of Lazarus to see their view of the scene (with an abundance of nose-holding folks).

The Saint John’s Bible, the first Bible to be entirely illuminated and lettered by hand in more than 500 years, presents this scene from a strikingly different perspective. Rather than placing the viewer near the bystanders outside the grave, the illuminator, Donald Jackson, locates the viewer inside the shadowy tomb. We are close enough to smell the death-garbed Lazarus. But we see from a perspective very close to the waking man’s own: our gaze follows his toward the opening of the tomb, where Jesus stands drenched in light.

The shift in perspective beckons us to see that as Jesus calls to Lazarus, he calls also to us. How are you feeling challenged to move this day?

Prayer of Confession

God of compassion,
we acknowledge the times
we have lived too long
with the words that others have put
into our mouths,
with the pain they have written
onto our bodies,
with the terror they have burned
into our hearts,
with the shame they have inscribed
onto our souls.
We know the times we have clung
to sackcloth not of our making,
when we have lived
clothed in weariness,
cloaked with anger,
and enshrouded by sorrow.
We grieve the occasions
when we have lived with alienation
rather than association,
when we have sought isolation
rather than consolation,
when our wounds within
have shut others out.
We confess our fear of the dark
and our uncertainty of the light.

Yet you have placed within us, God,
a longing for survival,
a hunger for your wholeness,
a yearning for your comfort,
and a hope for all our healing.
Bless our mouths
to name our wounds,
that we may not fear them;
our bodies,
that we might cherish them;
our hearts, that we may delight
in their longings,
and our souls, that we may trust
the wisdom of the stories they hold.
Grant us the courage
to be touched by you,
that when our days of weeping
are done,
we may wear your garments of gladness,
see one another in the light
of your love,
and stand together in the power
of your resurrection.
In the name of the risen Christ,
we pray. Amen.

Prayer © Jan L. Richardson, from In Wisdom’s Path: Discovering the Sacred in Every Season.