Archive for the ‘Ordinary Time’ Category

In the Presence of the Angels

September 5, 2010


In the Presence of the Angels © Jan L. Richardson

Reading from the Gospels, Proper 19/Ordinary 24/Pentecost +16, Year C (September 12): Luke 15.1-10

In one of my earliest memories, I am perhaps five years old. I am standing in my parents’ bedroom with a stack of my artwork. Drawings in pencil and crayon, paintings in tempera and watercolor and finger paint: these are the pieces that my mother has gathered up and saved. The entire collection. And I am systematically tearing up each one.

The most vivid part of the memory is when my mother walks in. I have made it nearly to the bottom of the stack by this point. Horrified to see the pile of shredded paper, she asks me why I have done this. “Because they weren’t any good!” I tell her, amazed that she can’t see this for herself.

I don’t know where I got this idea; it didn’t originate at home, where my family valued and supported creativity. Call it a precocious inner critic.

It would be many years before I began to understand myself as an artist, to connect with and claim that part of my soul. I long thought that an artist was someone who could draw or paint well, and although I made forays into these media from time to time, I still carried with me that inner critic who had shown up so early in my life.

Just as I was about to graduate from seminary, I started seriously playing with paper, and was transformed. In the process of cutting and tearing and pasting—those basic skills I had picked up in kindergarten—something magical happened that did not depend on painting or drawing. I had found my medium. In the practice of collage, I discovered a path to a place where it became harder to hear the voice of my interior critic.

That path eventually led me to become the artist-in-residence at a Catholic retreat center, where a Franciscan friar named David had opened the door for me to create a ministry that brought all the pieces of my vocation together. As I worked with David in the studio one day, he asked me, “Where did your fascination with paper come from?” The long-forgotten memory of the five-year-old who shredded her artwork suddenly resurfaced. I told David that story, and then said that perhaps becoming a collage artist was my way of putting those pieces back together.

As I moved deeper into the artist layer of my soul, I came to experience paper collage as a spiritual practice—a form of prayer—and as a metaphor for the creative work that God does in my own life. In much the same way that I sit at my drafting table and piece together the scraps to create something new, God does this within me. God takes everything: experiences, stories, memories, relationships, dreams, prayers—all those pieces, light and dark, rough and smooth, straight and torn—and creates anew from them. I’ve learned to think of God as the consummate recycler: in God’s economy, nothing is wasted. The broken as well as the beautiful, the torn as well as the whole, the pieces that we treasure as well as those we might prefer to throw away or bury or forget: everything—everything—can be used. Transformed. Redeemed.

This image of the God who reclaims and redeems lies at the heart of Jesus’ teaching in the Gospel lection for next Sunday. Telling parables was Jesus’ artful way of putting pieces together, of taking everyday experiences, juxtaposing them in new ways, and revealing patterns of hope and possibility. In these two parables that he offers at the beginning of Luke 15—the parables of the search for the lost sheep and the woman’s finding of her lost coin—Jesus provides vivid images that depict God’s penchant for searching out what is lost in order to reclaim it and restore it to wholeness.

For those of us who live in a culture devoted to rugged individualism, with its emphasis on pulling oneself up by one’s bootstraps and making our way in the world by relying on our own resources, these parables pose a challenge. For while these stories remind us that God calls us to participate in our own redemption by repenting—by acknowledging how we, by our own actions, have perpetuated the brokenness of the world—we cannot achieve our redemption and wholeness all by ourselves. These parables remind us that redemption is always God’s work, God doing for us what we cannot do for ourselves. The most we can do is turn ourselves Godward—and the act of turning lies at the Greek root of the word for repentance, metanoia—and pray that in our turning, we will—like a sheep, like a coin—be unlost. Be unhidden. Be found.

These parables call us also to remember that redemption does not, cannot, happen in isolation. Redemption restores us to the community and continually challenges us to work toward the flourishing of those whose lives are bound together with ours. Yet while God continually pulls us toward community, redemption is not about conformity: being restored to the circle does not mean thinking or acting or looking like everyone else, and making all our pieces look the same. Repentance and redemption invite us instead to discern what we have to offer, what distinctive gifts God has placed within us that no one else can bring, the pieces that, when brought together with the richness of the pieces that others offer, transform the brokenness of the world into a pattern of beauty.

And when this happens, as Jesus illuminates in these parables—when what is broken and lost is restored and redeemed—it is worth a celebration. Is not complete, in fact, until some rejoicing gets under way.

Where do you see this kind of restoration happening in the world and within the landscape of your own life? Are there pieces you have lost—scraps of your story that you have buried or forgotten or let slip away—that God might see as treasures and be yearning to incorporate into a picture of your life that is more integrated and complete? Where do you see cause for celebration? How might the act of celebrating—of noticing where pieces are coming together and rejoicing in this, even in the midst of ongoing brokenness—be part of your journey toward wholeness?

As you contemplate these questions, I invite you to listen to a remarkable song called “Redemption” by clicking on the arrow in the player below. It’s by my singer/songwriter husband, Garrison Doles (from his CD Whenever I’m with You). As you listen and ponder and live into this week’s lection, I wish you blessings and pray that in the coming days, God will provide glimpses of wholeness taking hold in your life and in the world, and of the angels who rejoice when pieces come together.

[To use the “In the Presence of the Angels” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

The Shape He Makes

August 29, 2010

The Shape He Makes © Jan Richardson

Reading from the Gospels, Proper 18/Ordinary 23/Pentecost +15, Year C (September 5): Luke 14.25-33

And so we come to one of the most wrenching and challenging passages that Jesus will ever utter. It’s as if he’s been saving up hard things to say, and now, with what Luke describes as “large crowds” traveling with him, Jesus takes this opportunity to lay these hard things on the masses. He speaks of what is necessary to lay aside in order to follow him: he tells of hating one’s closest family members, of hating life itself, of carrying the cross, of giving up all our possessions.

One might well think he’s looking to thin out those crowds that are following him.

It’s tempting to want to tone Jesus down here, to ratchet him back a bit, or to try to explain away the harshness of his words. But the Greek word that’s translated as “hate” really does mean hate. Miseo is the Greek root; it can also be translated as to pursue with hatred or detest. It’s the same word that Jesus used earlier in Luke, when he said, “Blessed are you when people hate you, and when they exclude you, revile you, and defame you on account of the Son of Man” (Lk. 6.22).

In commentaries on this passage, the word hyperbole comes up; Jesus is being excessive, the commentators say, in order to make his point. It’s true that it does help to read this passage alongside its parallel in Matthew 10.34-39, a passage that is no less difficult—it’s the one where Jesus talks about bringing not peace but a sword and about setting family members against one another—but Matthew does frame Jesus’ words a bit differently than does Luke. In the Matthew parallel, Jesus speaks not of loving him instead of loving our family members but rather of not loving him less than we love them.

I don’t find myself particularly interested in trying to explain Jesus away, disturbing and wrenching though his words about family and cross and possessions may be. But I can tell you a few of the things that I found myself thinking about during the many hours that I sat at my drafting table this week, pushing pieces of painted papers around while I—a woman deeply entwined with family and other treasures of this life—struggled with this passage.

I thought of how Jesus involved himself with such intentionality in the lives of those around him: how he knew real human friendship—think of the siblings Mary, Martha, and Lazarus, for instance, whose hospitality and companionship he enjoyed. I thought of how, in his agony on the cross, one of his last actions was to give his mother and the beloved disciple into one another’s care: “Woman,” he says to the one who bore him and raised him and who, as Simeon had promised so long ago, now felt the full force of a sword piercing her heart, “here is your son.” And to the beloved disciple standing beside her, Jesus says, “Here is your mother.”

Sitting at the drafting table, working with the pieces, I thought of the stunning pages from the Book of Kells and the Lindisfarne Gospels, those remarkable books created in the early centuries of Christianity in the British Isles. In particular I thought of the carpet pages, where all manner of creatures and symbols interlace and intertwine and entangle themselves with one another in configurations from which it would be impossible to extricate them. Always, the cross lies at the heart of these intricate pages: the entwining and entanglement serve to reveal the cross in both its simplicity and its complexity.

I can tell you that I thought of one of the books I’m reading right now, Strangers to the City, a reflection on the Rule of Saint Benedict by the splendid Michael Casey, a Cistercian monk who writes with such engagement about what he calls the “creative monotony” of the monastic life. Small wonder, perhaps, that I should be reading his chapter titled “Dispossession” while wrestling with Jesus’ words about attachments. Casey writes about how the poverty to which Christ calls us is rooted in poverty of spirit, and that this is intimately linked with humility—that lesson that Jesus had for us in last week’s gospel lection. Casey writes of how, without this humility in which we acknowledge our absolute dependence upon God, our practices of dispossession—of giving away what hinders us from God—can become a source of pride, which becomes its own obstacle to seeking God.

I thought of my friend Dee Dee Risher, who wrote an article years ago in the lovely, much-missed magazine The Other Side, about her journey to do what Jesus speaks of in this passage: to give away what clutters her path to God. In the article, titled “A Spirituality of Contentment,” Dee Dee told of occasions when she felt self-righteous for her chosen self-deprivations, realizing later that the smugness she felt in simplifying her life masked a deeper discontent. She began to recognize, as she puts it, that “my external changes had far outpaced my internal transformation.” And she began to give prayerful thought to the deeper practices that God was inviting her toward—practices that included honoring her home as a place of hospitality for her own soul, and for God as well.

As the collage finally began to take shape, I thought of what I have allowed to enter my life: the people, the places, the possessions. I thought of all that I am entangled with, the intertwinings and interlacings that mark my life. I am unwilling to hate the people I hold precious; I am reluctant to let go completely of the loveliness that God offers to us in the tangible things of this world. I think of the furniture my grandfather made for me by hand, the painting my friend Phyllis gave Gary and me for our wedding, the books that feed my soul and mind, the soft bed I share with my beloved. Yet I take Jesus’ words to heart, his fierce call to follow him and love him with a whole and undivided heart. And so I carry some questions with me. These entanglements that twist through my life with a complexity that sometimes rivals a page from one of those luminous Gospel-books: like one of those books, do they reveal the shape of a cross imprinted upon my life? All that I let enter, all that I choose, all that I allow to pierce me: does it create a pattern of life that takes on the same configuration as the Christ who gave himself with such abandon to those whom he loved?

The cruciform life—a life that seeks to follow the Christ whose path intersected so completely with our own—is not one that can be imposed upon us. It is a mystery that we can enter into only by choice, and that we must navigate with a spirit of discernment. Carrying the cross is not about casting about for a heavy burden to pick up; neither does it require us to seek out situations of pain and danger that will cause damage to the person God calls us to be. It’s about seeking the pattern of life that will open us the most fully to the God who created us in our particularity. The shape the cross takes for me—artist, writer, minister, wife, and in all my other particularities and peculiarities—will be different than it takes for you. The things I need to let go of, to choose against, to turn away from in order to make a space for Christ at the center of my life may well be different than what you need to let go of. And what I need to allow in, to reshape me, to pierce me—as Mary chose, as Jesus himself chose—will be particular to my own life as well. I think again of the carpet pages in those ancient Celtic Gospel-books, how they are remarkable in their differences, each one revealing the cross in the stunning distinctiveness and intricacy of its particular pattern.

The Gospel lection this week doesn’t leave me with a lot of coherence; what I have are these questions, these pieces that showed up at the drafting table. How do these pieces of the gospel lection sit with you this week? What are you allowing into your life right now? The people and possessions and habits that twine through your days: What shape do they make of your life? Amid the complexities of your living, what configuration will make space for Christ to be the center, the source that creates something whole from the pieces? Are there pieces you need to release, to turn away from? Are there pieces you need to invite in?

May Christ bless your path—and be your path—in the days to come.

[To use the image “The Shape He Makes,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Related artwork: Finding the Focus.

The Humble Seat

August 22, 2010


The Humble Seat © Jan L. Richardson

Reading from the Gospels, Proper 17/Ordinary 22/Pentecost +14, Year C (August 29): Luke 14.1, 7-14

Ah, the endless wisdom of the table! Throughout Jesus’ ministry, we see again and again how in much the same way that he never passes up an opportunity to share a meal with others, he rarely misses the chance to use a table as an occasion to teach. Whether it’s welcoming a woman who anoints him, or using the table as a way to talk about the kingdom of God, or employing the elements of a meal to describe who he himself is: the table, for Jesus, is always about right relationship, about how we are to live in community and communion with one another.

At the table that Luke tells of in next Sunday’s gospel lection, Jesus turns his attention not only to the kind of hosts we are to be—inviting those who owe us nothing—but also to the kind of guests we ought to be. When we receive an invitation to share in the table of another, Jesus says (a wedding banquet, in this case: Jesus’ ultimate image of the kingdom of God) we should come with no expectations, no intent to grasp at a seat of honor—from which, Jesus says, we might be ejected. When approaching the table, Jesus says, our stance, is to be one of humility, a posture that leaves room for surprise and for grace.

When it comes to humility, and discerning how we are called to embody this sometimes perplexing quality as the people of Christ, I often find myself turning back to the desert mothers and fathers, those ammas and abbas of the early church who articulated this disposition with such clarity. Of all the practices and habits that these early Christians engaged in, humility was the one that surpassed all others, and upon which all other practices depended. We see this, for instance, in Amma Theodora. In The Sayings of the Desert Fathers we read that Amma Theodora said, “Neither asceticism, nor vigils nor any kind of suffering are able to save, only true humility can do that.” She went on to say, “There was an anchorite who was able to banish the demons; and he asked them, ‘What makes you go away? Is it fasting?’ They replied, ‘We do not eat or drink.’ ‘Is it vigils?’ They replied, ‘We do not sleep.’ Is it separation from the world?’ ‘We live in the deserts.’ ‘What power sends you away then?’ They said, ‘Nothing can overcome us, but only humility.’ ‘Do you see how humility is victorious over the demons?’” Amma Theodora recognized that without humility, all our practices become hollow.

The desert folk, however, understood humility in a rather different way than we tend to in the 21st century. Where we sometimes equate humility with being a doormat, Roberta Bondi points out in her book To Love as God Loves: Conversations with the Early Church that “humility did not mean for them [the ammas and abbas] a continuous cringing, cultivating a low self-image, and taking a perverse pleasure in being always forgotten, unnoticed, or taken for granted. Instead, humility meant to them a way of seeing other people as being as valuable in God’s eyes as ourselves. It was for them a relational term having to do precisely with learning to value others, whoever they were. It had to do with developing the kind of empathy with the weaknesses of others that made it impossible to judge others out of our own self-righteousness.”

At the root of humility is the Greek word humus. Earth. The earth that God made and called good, the earth from which, as one of the creation stories goes, God fashioned us. Humility is our fundamental recognition that we each draw our life and breath from the same source, the God who made us and calls us beloved. Humility does not only prevent us from seeing ourselves as more deserving or graced or better than another. It compels us also to recognize that we are no less deserving or graced than another. For women, so often conditioned to take on roles and attitudes of subservience, this is a particular point that the desert teachers would have us understand. Humility draws us into mutual relation in which we allow no abuse, no demeaning, no diminishment of others or of ourselves.

And when we bungle it, or see others bungle it, humility gives us a break. “When it comes to living together,” Bondi writes in her book To Pray and to Love, “humility is the opposite of perfectionism. It gives up unrealistic expectations of how things ought to be for a clear vision of what human life is really like. In turn, this enables its possessors to see and thus love the people they deeply desire to love.”

Humility invites us to stay low to the ground so that we can find the treasures there. Not so low that we become a doormat, subject to whatever treatment others may mete out to us. Instead, humility helps us remain grounded in the best sense of the word: centered in the humus from which we have been created, the gloriously ordinary earth from which God made each one of us. Humility enables us to recognize our dependence on the One who fashioned us as well as our kinship with those who share this earth, this humus. In practicing humility, we leave room for the surprising and graced ways that God works—beyond expectation, beyond privilege, beyond status—at the table and in every place beyond it.

So how’s your humus these days? In what are you centering and grounding yourself—your earth? Are you leaving God enough room to work beyond your expectations and assumptions? How might God be challenging you not only to offer hospitality but also to receive it in ways that bring wholeness?

Blessings to you at the table and beyond.

[To use the “Humble Seat” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

For more table imagery, visit this page.

Freedom in My Bones

August 15, 2010


Freedom in My Bones © Jan L. Richardson

Gospel reading, Proper 16/Ordinary 21/Pentecost +13, Year C (August 22): Luke 13.10-17

I’ve heard it said that every preacher has only one sermon, and that each message is simply a variation on it. I know this about myself, not only as a preacher but also as a writer and artist. I’m not sure what the title of my core sermon would be, but I know it has something to do with these questions: What are the habits, patterns, and rhythms by which we live our lives? Do they enable us to live in freedom, fully open to the presence of God? Or does our way of life hinder us from this? Are there patterns and habits that, over time, have become confining, keeping us bound and bent and feeling less than whole?

As a preacher, writer, and artist, I may venture far afield in my work, but I always seem to return to these core questions about what we shape and build and construct—and sometimes constrict—our lives around. And I find myself pondering these questions again as I contemplate the upcoming gospel lection, which is among my favorites: the story of the bent-over woman that Luke gives us in his Gospel.

Luke tells us that the source of the woman’s crippling illness lay beyond her control; he describes it as a spirit that had kept her bound for eighteen years (“eighteen long years,” Jesus points out). There was nothing, it seems, that she did to cause her condition, and little she could do to remedy it. There is no habit, no pattern, no routine that this woman can change that will free her—except to place herself in Jesus’ path.

I find myself curious about the community around this woman, wondering what their habits toward her had been. Did they hold her responsible for her condition, thinking—as people so often thought in that time, and still often do in ours—that her physical appearance was a manifestation of an inner fault? Did they take any notice of her as she made her painful way among them, or did they allow her to travel below their line of sight? Did they ever pause to look her in the eye, alter the shape of their own body in order to meet her gaze? Did they keep their distance, concerned that her state might pass all too easily to them? How much of this did the woman absorb into her own body and soul?

I know my wonderings reflect my own assumptions, largely born of my noticings about how in our own day we still so often look around, look through, look away from those in our midst whose bodies look different than whatever we consider the norm. And maybe I’m taking a too dismal view here; maybe this woman, whose name we do not know, did in fact have kinfolk and allies. Yet it’s clear that there were those in her community who allowed themselves to be locked into patterns that worked against her wholeness and freedom. When Jesus dares to heal the bent-over woman on a sabbath day, he meets resistance and outrage. In turn, he challenges those present to consider what sabbath really means: that in its fullness, the laws regarding sabbath are designed not just for rest but for release from all that keeps us in bondage.

Yesterday morning I returned home from my three-week trip to the other side of the country. After spending two weeks at the Grünewald Guild, a place I think of as another home, I went to Lake Tahoe to serve as the keynote speaker for the Companions on the Inner Way retreat. Both places offered remarkable experiences of community and hospitality. And in each place I witnessed the power of what happens when people are invited to live and move and work in ways that lie beyond their customary habits, patterns, and assumptions about who they are and what they can do.

In my retreat work, I often encounter folks who claim that they don’t have a creative bone in their bodies. I understand this; can see all too readily how our culture chips away at the creative spirit that is innate to us. It is alarming, how easily we participate—however unconsciously—in societal patterns that seek to keep us within certain confines; that keep us from being too distinctive, too creative, too noticeable. That keep us from standing upright.

But in these past weeks, I watched a woman create a sculpture for the first time since her mother’s death more than a decade before; I heard a woman in her 80s declare that she was going to spend the rest of her life painting; I saw people take the scriptures into their bones as they sang and worshiped and prayed and danced the sacred texts of our tradition; I saw them piece together words and images that drew them more deeply into their internal terrain where they found the presence of God in ways they had not noticed before. I saw them holding one another in community, walking with one another into new landscapes.

As these scenes and moments of the past weeks play through my memory once again, I see, too, among them a shadow: a woman bent, moving, rising, standing, praising. Healed and free.

And so I, the preacher and writer and artist who perpetually circles around the same message, am come this day to ask you: What are the patterns you are enacting in your life and your community? Do you have any habits and routines that, once comfortable, have become constricting and confining? Are there ways that you participate in keeping others in rhythms that are comfortable for you? Do you allow others to do this to you, letting yourself absorb assumptions and prejudices that keep you bound, however subtly? Do you resist moving in ways that might challenge and conflict with the patterns of others? What would it look like to place yourself in the healing path of Jesus, and know sabbath down to your very bones?

Prayer for All Things Rising

For all things rising
out of the hiddenness of shadows
out of the weight of despair
out of the brokenness of pain
out of the constrictions of compliance
out of the rigidity of stereotypes
out of the prison of prejudice;

for all things rising
into life, into hope
into healing, into power
into freedom, into justice;

we pray, O God,
for all things rising.

In the coming days, may you place yourself in the path of the Christ who desires our wholeness. Together. Blessings to you!

[“Prayer for All Things Rising” © Jan L. Richardson from Sacred Journeys: A Woman’s Book of Daily Prayer (Nashville: Upper Room Books, 1995). To use the “Freedom in My Bones” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Entering the Mysteries

June 27, 2010


Mapping the Mysteries © Jan L. Richardson

Year C, Proper 9/Ordinary 14/ Pentecost + 6 (July 4): Luke 10.1-11, 16-20

Ah, how I have been traveling on the Road of Good Intentions these past weeks. I’ve been hopeful of blogging more regularly here at The Painted Prayerbook now that I am post-wedding, but amidst settling into our new home, entering into the blessed rhythms of marriage, taking care of details related to my new book’s publication this fall, and preparing for summer travels (not to mention doing lovely things like sleeping and taking walks and enjoying summer reading), I haven’t been able to get much further than looking longingly at the lectionary readings and thinking about what I would write and collage if I could just somehow manage it.

Know that I’ll show up here when I can, and even when I’m not adding new reflections and artwork, I’m contemplating the texts with you and praying for you as you ponder your way into and through the words that the lectionary offers to us from week to week. For this week, I invite you to stop by an earlier reflection, one that I wrote for Matthew’s version of the story that the lectionary gives us from Luke for next Sunday. You can visit it here: Mapping the Mysteries. (Does recycling blog material count as going green?)

Speaking of mapping and mysteries . . . this is going to be the theme of one of the events I’m greatly looking forward to leading this summer. During the week of August 8-13, I’ll be at Zephyr Point Conference Center in Lake Tahoe, Nevada, as the main speaker of the Companions on the Inner Way retreat. Our theme for the week will be Mapping the Mysteries of Faith. For more info on the retreat, please visit Upcoming Events.

On that page you can also find info about another event I’m anticipating with much delight: I’ll be returning to the wondrous Grünewald Guild in Washington State, where I teach each summer; this year I’ll serve as the keynote speaker during their first-ever Liturgical Arts Week during July 26-August 1. Each of these events will offer a welcoming space for contemplation, creative exploration, and conversation with an engaging community amidst a beautiful place. I hope you’ll think about joining us for either week . . . or both!

And, as always, I have lots of goodies available at janrichardson.com in the form of art prints, greeting cards, and books. I invite you to stop by and have a browse anytime . . . always open, 24/7! And, no matter where I may be, images are always available for your use in worship, education, and other settings at Jan Richardson Images.

Many blessings to you as you navigate the mysteries of your unfolding path.

Trinity Sunday: Into the Sacred Ordinary

May 25, 2010


A Spiral-Shaped God © Jan L. Richardson

Greetings from amidst the boxes! A month into my marriage, I’m finally getting serious about packing up the cozy studio apartment where I have lived for more than a decade. (It’s not just procrastination; I’ve had a few things going on!) I’m thrilled about having more space now that my sweetheart and I have moved into our new home, where I have a whole room that I’ll use as my studio/office. Yet I have loved living in the lovely, light-filled space of my wee apartment (300 square feet on a good day) and know there will be a certain poignance when I close the door here for the last time.

Sitting among the boxes during this afternoon of packing, taking a break with a cup of tea, I’m still thinking about the beginnings and threshold-crossings that I pondered here at The Painted Prayerbook a couple of weeks ago. As I wrap up (literally) the life that I’ve lived within these walls and carry my belongings and myself into a new space and a new season, we are crossing a threshold in the Christian calendar as well. In the rhythm of the Christian year, this Sunday is Trinity Sunday, which marks the beginning of the season that’s often called Ordinary Time. Ordinary Time is a loooong season that’s sometimes hard to get our liturgical brains around because there aren’t any major holy days that help us know where we are in the year and what we’re supposed to do. Yet this can be a rich time, because this season beckons us to ponder how and where we find the presence of the sacred in the ordinary dailiness of our lives.

For me, it’s a good time to be crossing into some new spaces both in the physical realm and in the terrain of my soul. Heading into this ordinary season (which, honestly, comes as something of a relief in the wake of the past months that have been wondrous but intense), I find myself wondering where I’ll meet the holy in the coming weeks and months. As I unpack these boxes and settle into the new rhythms that are emerging as Gary and I make a home together, how might the face of God reveal itself, challenging me to see in ways I haven’t seen before?

How about you? Where might God be hiding out in the midst of the moments—ordinary or otherwise—that will make up your life in the days to come?

As we move toward Trinity Sunday and into Ordinary Time, I invite you to visit my earlier reflection: Trinity Sunday: A Spiral-Shaped God. May you find many blessings amid the sacred ordinariness of the coming season.

Art for the Journey

October 4, 2009

blog-MotherRoot
Mother Root © Jan L. Richardson

Thanks so much to everyone who stopped by this past week  and to those who sent lovely words via a comment or an email. It was great to get to provide  support in word and image to folks preparing to celebrate World Communion Sunday. I’ve thought of all of you on this day that invites us to remember that each time we gather at the Communion table, we celebrate not just with our own community but also with sisters and brothers around the world and with the Communion of Saints across the ages. It’s a wide, wide table to which Christ invites us, with all its challenges and delights. I hope you had wondrous celebrations.

Although I’m blogging more sporadically these days while I work to finish my new book, I’d love to support you in whatever way I can, particularly with artful resources. Images are always available at janrichardsonimages.com. I designed this website to make my artwork easily accessible for use in worship, education, and related venues. If you’d like to use any of the artwork that you find here at The Painted Prayerbook, you can acquire it from the website. High-resolution files of single images are available for a nominal cost, or, with an annual subscription, you can have unlimited access to all the images (within the Guidelines for Use). Although I’m not creating new art for the lectionary readings right now (though I look forward to returning to this later in the fall), the cool thing about art, especially abstract art, is that it invites an array of interpretations. So of course you are most welcome, as always, to use an image even if it wasn’t designed for the specific scripture or theme that you’re pondering.

I welcome you also to stop by janrichardson.com, where you can find creative companions for your journey—or someone else’s—in the form of art prints, greeting cards, and books.

Your use of Jan Richardson Images and your purchases at janrichardson.com go directly to support my ministry, for which I raise my entire income. Your support is a crucial form of patronage that helps make it possible for me to continue in this ministry, including providing this blog, and I am tremendously grateful for those who sustain my work in this way. I invite you to find out more about being a patron at the Be a Patron page.

Thanks so much for visiting and for all the ways you share in my ministry, including the prayers and the words you send my way—they are tremendously heartening and are manna for my path. I wish you many blessings in these October days.

P.S. Advent’s not far away—if you’re planning ahead, I have lots of artwork for the season at janrichardsonimages.com (check out “Advent & Christmas” in the categories menu), and you can visit two years’ worth of art and reflections at my other blog, The Advent Door. I look forward to adding new work there as Advent unfolds this year.

Of Supper and Saints

September 29, 2009

Thanks for stopping by…I’m still alive and kicking and up to my eyeballs working on the book. But we have a festive weekend coming up, and I didn’t want to let it pass without making note of a couple festivities and inviting you to stop by the reflections that I offered on them last year. The entries may be reheated, but they’re still full of flavor, so come sit for a spell and have a savory taste…

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This Sunday, October 4, is World Communion Sunday. For my reflection from last year, visit The Best Supper.

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This Sunday also brings us the Feast of St. Francis. I invite you to visit Feast of St. Francis for my earlier reflection on one of my favorite saints.

Many blessings to you in this week of celebration!

Divine Things and Human Things

September 6, 2009

Reading from the Gospels, Year B, Proper 19/Ordinary 24/Pentecost + 15: Mark 8.27-38

I am blissfully holed up in an island house with a group of my seminary girlfriends, where we’ve been been spending the holiday weekend, as planned, talking and eating and walking and resting and reading and talking and eating some more. Today has offered gorgeous weather. Seafood pasta will be on the table in a few minutes. I’m at the computer—briefly—and writing to the sound of lively conversation between the women at this table and the women in the kitchen and to the wondrous sound and smell of garlic and butter sizzling in the skillet. These friends, who have known me nearly half my life, are some of the folks who help me remember who I am and what I hold most important.

Next Sunday’s gospel lection beckons us to ponder what we hold important, what we give our attention to, and what we’re doing with, as Mary Oliver puts it, our “one wild and precious life” (from “The Summer Day”). As the garlic sizzles, I invite you to visit a couple of reflections I’ve written on Jesus’ words to Peter about divine things and human things, and losing one’s life and saving it. A slightly shorter portion of Sunday’s gospel turned up during Lent of this year (Mark 8.31-38); you can click on “Lent 2: In Which We Set Our Minds Somewhere” below to visit my reflection on this passage. Below that, “To Have without Holding” offers a reflection on Matthew’s version of this story (Matthew 16.21-28), which appeared as a gospel lection last year.

Time for that seafood dinner and savoring the pleasures of the table with good friends. May the coming week offer you much sustenance and many delights.

Finding the Focus
Lent 2: In Which We Set Our Minds Somewhere

To Have without Holding
To Have without Holding

Finding the Feast

September 3, 2009

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The Feast Beneath © Jan L. Richardson

Reading from the Gospels, Proper 18B/Ordinary 23B/Pentecost +14: Mark 7.24-37

Greetings in the midst of a quick turnaround between trips. I recently returned home from two weeks at the wondrous Grünewald Guild in the Cascade Mountains of Washington State, where I spent a week teaching a class called The Soul of the Book—one of my absolute favorite things I do all year—and lingered for another week to work on my book-in-progress and to soak up the splendid community that the Guild attracts. With its focus on exploring the connections between art and faith, the Guild is a place where I find my tribe.

Separated from that community now that I’m back home, I’m in a bit of withdrawal, but I’ll have something of a remedy over the next few days—a little hair of the dog, as it were. I’m leaving today for my annual Labor Day reunion with a group of girlfriends from seminary. Each year we rent a house on an island off Savannah, Georgia, and spend our days talking and eating and talking and sitting by the pool and talking and walking on the beach and talking and napping and…

My time at the Guild, where I’ve taught for half a dozen summers, and my days with the seminary chicks, with whom I’ve gathered for more than fifteen years, always provide a feast for body and soul.

Sustenance for body and soul is the theme of this Sunday’s gospel lection, although, in the case of the Syrophoenician woman who pleads—with great wit—for a healing for her daughter, the feast is rather hard won. As I finish packing my bags, I invite you to visit the reflection I wrote last year on Matthew’s version of this story, where he describes the intrepid mother as a Canaanite woman. Click this link to pay a visit: The Feast Beneath.

Many thanks to those who have sent good wishes and prayers as I work on my book. I sent a portion of the manuscript to the publisher last month and am working to complete the remainder. The publication date is set for Fall 2010. Your continued prayers for this massive project are most welcome! I look forward to returning to my regular blog writing sometime this fall.

Blessings and peace to you in this turning of seasons.

[To use this image, please visit this page at janrichardsonimages.com. Thanks!]