Archive for the ‘Gospel of John’ Category

Of Fig Trees and Angels

January 16, 2009


Between Heaven and Earth
© Jan L. Richardson

Reading from the Gospels, Epiphany 2: John 1.43-51

This is a week in which I’ve been trying to figure out how to write a book and work on a blog at the same time. I could tell you how, in the course of this, I have been thinking for days about fig trees and angels. I could remark on how for the Israelites the fig tree symbolized home and security, how in 1 Kings 4.25, we read that “During Solomon’s lifetime Judah and Israel lived in safety, from Dan even to Beersheba, all of them under their vines and fig trees,” or how Zechariah 3.10 tells of a hopeful day in which “you shall invite each other to come under your vine and fig tree.” I could tell you how struck I am by Nathanel’s question to Jesus in Sunday’s gospel lection: “Where did you get to know me?” And I could comment on how blown away Nathanel is when Jesus tells him, “I saw you under the fig tree before Philip called you.”

I might choose to use exclamations like “Zowie!” to describe Nathanel’s reaction to what is, after all, a miracle quite small by comparison to what Jesus will yet do. And I could explore and expound on how Jesus tells Nathanel what a tiny thing it is, knowing him from seeing him beneath the fig tree, his place of safety, the whole world that Nathanel has known up to now.

On any other day I might tell you how much it captivates my imagination, the way that Jesus tells Nathanel, that fig-tree-sitter-under, “Very truly, I tell you, you will see heaven opened and the angels of God ascending and descending upon the Son of Man.” I could say how cool this is, how Jesus evokes the story of Jacob, who dreamed in the wilderness of a ladder of angels between heaven and earth, and woke to a larger world than he had ever known, and recognized that God had been in that place.

I could say all this, and more. But what I am come to ask you on this evening in Epiphany is this:

What do you imagine the God of heaven and earth, the God who bridges heaven and earth and causes them to meet—what do you imagine this God is capable of? Can you imagine something beyond that? And beyond that? How might this God be inviting you to imagine and participate in something bigger still? What is the fig tree you will need to leave in order to see the more amazing things God has in store?

May we have imaginations that stretch between, dream between, dwell between heaven and earth. Blessings.

[To use the “Between Heaven and Earth” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Easter 6: Side Orders

April 23, 2008


You in Me in You © Jan L. Richardson

On a day when I was dealing with a vexatious situation, I spent some time talking about it with my sweetheart. Gary is a great thinking partner, adept at asking questions and offering insights (in a non-advicey kind of fashion) that help me find a path through the muddle at hand, whether it’s a tangle of words in something I’m writing, a stuck place I’ve gotten to in a piece of artwork, or the challenges that come up in having a ministry that doesn’t fit a specific mold. I don’t remember precisely what was vexing me on this particular day—I have some recollection I was struggling with an institutional system, which means it was probably either the church or the publishing industry—but I do remember some words that Gary offered as we finished our conversation. “The thing to remember here, Jan,” he said, “is that I am on your side.”

Having somebody on our side, somebody whose sidefulness doesn’t require that we always agree with them or bend ourselves to their agenda, is a remarkable gift. My experience of this with my sweetheart provides something of a glimpse into what Jesus is offering to his disciples in this Sunday’s Gospel lection, John 14.15-21. Jesus’ words in this passage immediately follow our Gospel lection from last week. He and the disciples are still at the table, lingering as Jesus speaks the crucial words he feels pressed to offer his friends before he is taken from them. We see again the depth of Jesus’ desire for them to understand how he means for them to abide with him after he is gone. In this passage he tells them that he “will ask the Father, and he will give you another Advocate, to be with you forever. This,” he continues, “is the Spirit of truth….”

In his commentary on John’s Gospel, D. Moody Smith notes that parakletos, the Greek word commonly translated as Advocate (the New Revised Standard Version offers “Helper” as an alternative), “means literally one called to the side of, an advocate or an attorney.” As Smith suggests, however, the context of this passage indicates that this parakletos—often called the Paraclete in English—“does not function so much to advocate the disciples’ cause before God as to mediate the presence of Jesus to the disciples.” This Paraclete will do more than help out the disciples in the wake of Jesus’ death; the Paraclete will sustain and make possible their ongoing relationship with him.

Jesus tells them that they will know this Advocate because “he abides with you, and he will be in you.” There it is again, that word abides—from the Greek meno, as we noted last week. Jesus is at pains to impress upon them the fact of this abiding, and how it will happen: he tells them not only that the Paraclete will be in them, but also that he will be in the Father, the disciples will be in him, and he will be in them.

That’s a whole lot of shared indwelling going on, a plethora of mutual meno-ing. It’s this kind of passage that has made John’s Gospel so appealing to mystics across the ages. With John’s intensely spiritual style, it sometimes becomes a challenge, in reading his Gospel, to keep one’s feet on the ground, or one’s head above water—pick your own metaphor, John offers a host of his own. John’s Gospel is a wonder in part for this very reason, that he drenches us with words that draw us into spiritual depths. He always means for us to see, however, the bedrock beneath it all, the response that a life in the Spirit calls us to make.

As any good mystic knows, being in relationship with Christ does not mean forever wallowing around in this mutual, mystical indwelling that takes place among God, Jesus, the Spirit, and us. Abiding with Christ is a wonder and a gift of grace, but it’s not a perpetual feel-good fest. There at the table, Jesus emphasizes that being in relationship with him, and receiving the Advocate, compels us to a concrete response in the world; in fact, we can take Jesus’ words to mean that his sending of the Advocate is contingent upon the disciples’ actions. “If you love me,” Jesus says at the outset of this passage, “keep my commandments.” He will say it again in a similar fashion at the end of the text: “They who have my commandments and keep them are those who love me; and those who love me will be loved by my Father, and I will love them and reveal myself to them.”

When it comes to Jesus giving commandments in the Gospel of John, this is what he has to say:

I give you a new commandment, that you love one another. Just as I have loved you, you also should love one another. By this everyone will know that you are my disciples, if you have love for one another. (13.34, 35)

This is my commandment, that you love one another as I have loved you. No one has greater love than this, to lay down one’s life for one’s friends. You are my friends if you do what I command you…. I am giving you these commands so that you may love one another. (15.12-14, 17)

Living with Jesus challenges us to love not only him but also those whom he sends to us. And perhaps this is the real gift and intent of the Spirit, the Helper and Advocate whom he promised to send to the disciples: that the Spirit will sustain us as we live into the love to which Christ calls us, even when, and especially when, it means abiding with those whom we’d rather build walls against.

Jesus’ words this week have me wondering who might need me to say the words that Gary offered me on that vexatious day: I am on your side. Who might need to hear those words from you?

May you know the challenging peace of the One who is on your side and who is within you.

[To use the “You in Me in You” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Easter 5: A Place to Dwell

April 18, 2008


A Place to Dwell © Jan L. Richardson

As I’ve shared in a couple recent posts, I’ve been doing some traveling, most recently to Connecticut, where I led a retreat for a wondrous group of women. I left for Wisdom House just twelve hours after arriving home from the funeral for my sweetheart’s mom in South Carolina, so I wasn’t exactly in the most rested state when I arrived in Connecticut. Fortunately, the retreat didn’t start until the following day, and it was a great gift to have some time to rest, settle in, and absorb the hospitality of the staff and the space at Wisdom House. So much of the space that weekend invited me to be aware of the holy: the art gallery, the chapel, the soulful space created by the women who gathered.

Sister Jo-Ann, my wonderful host at Wisdom House, took me on a tour of the Farm House that’s on the property of the retreat center. Built in the 1700s and used for smaller retreats, the Farm House enchants. With seemingly endless rooms, including tiny bedrooms that remind me of monks’ cells, and lots of inviting nooks and crannies, it’s the kind of space I could happily spend a few weeks in. Though nobody resides there full-time these days, the Farm House possesses a sense of habitation and warmth. There’s a plaque by the front door that lists the names of those who have lived there, from generation to generation. It invites those who cross the threshold, whether for a few hours or a few days, to enter it as a dwelling place, a habitation for the holy.

Nourished by the hospitality I received at Wisdom House, I’ve returned home to my sweet little studio apartment. I’ve lived here for nearly a decade, and the ongoing process of learning how to inhabit this 300 square foot space, and how to work in it as an artist and writer, is one of the most creative things I’ve ever done. Every few months or so I move a few things around in order to squeeze out a few more square inches. My latest accomplishment has involved creating a writing nook. Desperate for a space that I can devote solely to writing (an activity from which I am easily distracted), I recently looked at the landing at the top of my stairs and realized that, especially with its window that overlooks the back yard, it would make a great space to write. It doesn’t make the writing any easier (I didn’t expect it to), but it does offer greater focus, which comes as a needed gift.

I’m intrigued by spaces and by how our experience of architecture shapes our perception of it. Our sense of a physical place goes beyond the interplay of form and function; particularly as we experience a space over time, the outward, physical space can become intertwined with the interior space of our psyches and souls. The places we inhabit or regularly visit imprint themselves on our memory and imagination, coloring how we perceive and engage those spaces. Gaston Bachelard, in his famed book The Poetics of Space, observes that “A house that has been experienced in not an inert box.”

With spaces on my mind, I’ve particularly appreciated the chance to ponder this week’s Gospel lection, John 14.1-14. Sharing a table (an evocative space in itself) with his disciples shortly before his death, Jesus tells them—among many other things—that “In my Father’s house there are many dwelling places.” He uses an architectural image to help them begin to understand the kind of place that he is preparing for them, yet Jesus himself, recognizing the layers of meaning that a house can evoke, is talking about far more than architecture here. The word that Jesus uses for “house” is the Greek word oikia (related to oikos), which refers not only to the physical structure of a house but also to the family that dwells there: the household. D. Moody Smith, in his commentary on John’s Gospel, notes the relationship between the word for “dwelling places,” monai, and the verb meno, which means to remain, abide, dwell, endure.

John likes this word. We visited meno on Epiphany 2, reflecting on the story in the first chapter of John’s Gospel, in which two of John the Baptist’s disciples ask Jesus where he is staying—where he is meno-ing—and he tells them, “Come and see.” He knows they are asking more than where his physical dwelling is.

Here, at the other end of Jesus’ ministry, we find this word again. The disciples did indeed come and see—boy, howdy, what they saw—yet Jesus is still beckoning them to go deeper in the ways that they will abide with him, both now and in the future.

Jesus tells his companions about these dwelling places in order to encourage them and stir their hope. At the same time, he desires to be clear with the disciples that dwelling with him is not a far-off proposition; rather, he is calling them to live with him now and throughout their earthly lives. In John 15, which we don’t visit in the Revised Common Lectionary this year, Jesus goes on to offer the image of the vine and branches as a vivid metaphor for how he desires the disciples to abide with him and he with them. Variations of meno appear many times in John 15; Jesus really wants them to get this whole abiding thing before he goes.

In addition to the images that Jesus offers with oikia and monai, he tells the disciples (in response to Thomas’ question about how to get to these dwelling places) that he himself is the way—the hodos in Greek, which can mean a physical road or journey as well as a way of life. Jesus’ description of himself as the way has a deep resonance with other images that we have visited in the weeks of Lent and Easter. His invitation to the Baptist’s disciples to come and see, the wellspring of living water that he offers a thirsty woman, breaking bread at Emmaus, the piercing of his body in the crucifixion, his invitation to Thomas to place his hand in his very flesh: these are among the stunning images that describe how Jesus opens his very self—body and soul—to us. In reflecting on this, D. Moody Smith draws our attention to Hebrews 10.20, in which the author writes of how we can enter the sanctuary—that holy space—“by the new and living way that he opened for us through the curtain (that is, through his flesh).”

I wrote last week of Christ as the radically hospitable shepherd who not only guards the flock but lays himself down to become the gate for them. This week’s metaphor of Christ as the way further develops this image. Here at the Last Supper, Jesus speaks not only of future concerns but also of present ones, and he means for his friends to understand that the way, the journey, is itself a dwelling place. Jesus is not simply telling them about the destination he intends for them; he is calling them to make their dwelling in him now; he is urging them to make the way, and Christ’s very self, their home.

Where are you living these days? Where are you making your home? How do you make your journey, your path in life, a dwelling place?

Blessings to you in these resurrection days.

[To use the “A Place to Dwell” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Easter 4: In Which We Do Some Sheep Wrestling

April 11, 2008


The Sheepgate © Jan L. Richardson

This week’s gospel lection, John 10.1-10, introduces a paired set of images that Jesus plays with in intriguing ways: the shepherd and the gate.

I have to admit that of all the ways of describing Jesus, the image of him as a shepherd is one I’ve never particularly gravitated toward. I suspect this owes to a combination of factors: I live in a culture that is far removed from the agrarian setting in which Jesus employed this image, and I grew up around cows, so am not very knowledgeable in the ways of sheepdom. I suspect, however, that the real reason that I struggle with shepherd imagery is this: I am resistant to being herded. I am also all too aware of how badly things can go wrong when we are overly willing to let ourselves be led. (“Lambs to the slaughter” comes too easily to mind.)

The thing about living with the lectionary is that it confronts us with texts and images that may not sit easy with us, so John’s passage has been a good challenge for me this week. In letting the text work on me, I’ve come to appreciate how Jesus offers several points that provide crucial clarity about the sheep-and-shepherd thing.

First, Jesus does not call us to follow him in a mindless fashion. Part of my trouble with ovine imagery is that I’ve heard plenty of times that sheep are stupid, and so what does this metaphor say about us? It was illuminating to attend a workshop last year with Roberta Bondi, who was one of my professors at Candler School of Theology. In the course of the workshop, during which Roberta spun wool as she talked, she challenged this pervasive notion about sheepish intelligence. It’s not that they’re stupid, she told us; they are prey animals, not predators, and so their instincts strike us as counterintuitive or just plain dumb, because they don’t think as we do. Gail Ramshaw, in her wondrous lectionary resource Treasures Old and New, adds another layer of insight, observing that “At the most ancient level of biblical storytelling, sheep are highly respected, for without their life, communal survival would not be possible. Contemporary interpretation of the Bible’s sheep stories,” she goes on to write, “needs to balance its characteristic talk about how stupid sheep are with the economic reality that sheep were the primary life source for the people, God’s gift of sustenance for the people.” Christ likens us to sheep not because he expects us to be vapid, but because he counts us as valued.

Second, Jesus calls us to follow him in the context of relationship. He wants us to know him. “He [the shepherd] calls his own sheep by name and leads them out,” Jesus says in this passage; “…the sheep follow him because they know his voice.” Jesus’ call is grounded in his desire for a relationship with us, to know us and to be known by us. He expects us to engage in discernment, to ask questions, to be wise in the ways that we follow him. It’s important to note that this passage follows on the heels of his healing of the blind man in John 9, which we visited on Lent 4; this week’s gospel lection is a continuation of Jesus’ teaching about how he desires us to see.

A third point of clarity that Jesus offers in this passage is that we are not to follow him just because he says so, or because hellfire and damnation await us if we don’t. The presence of the shepherd is never threatening; rather, it is precisely the opposite. The shepherd is the one who extends radical hospitality to the sheep; he protects them against whatever would threaten them, even, as Jesus states repeatedly later in this chapter, laying down his own life for them. Ramshaw points out that “herders in that part of the world lay their own bodies down for a night’s rest in the gap of the fence, the body of the shepherd thus serving as the gate.” Indeed, Jesus describes himself in this passage not only as the gatekeeper of the sheepfold but as the gate itself.

Jesus’ image of himself as a gate underscores the fact that his way is one of hospitality, not of threat. The gate—the one that Christ opens to us, the one that Christ himself is—does not open by way of force. Rather, this entry becomes compelling because of the one who offers it, who opens it to us as a way of blessing. “I came that they may have life,” Jesus proclaims in the final verse of this text, “and have it abundantly.”

Jesus means for us to have this abundant life not solely in some future world but also in this present world. He intends, too, for us to have this life together. Christ calls us to fields where following him means tending to one another—to our sheepmates. In the midst of my resistance to being herded, I have to take care not to forget that there are good reasons to travel in flocks. Ramshaw offers a good reminder here—and if I keep turning to her this week, it’s partly because I’ve just recently found her treasure of a book, but mostly because she’s been particularly helpful to me in thinking sheepishly; she writes, “Shepherding stresses the communal nature of the sheep. Our singular noun flock is one made of many. The church proclaims the good news that I am not alone. We are the flock, and we share a common life.”

As you navigate this shared life, what, or who, is determining the direction of your path these days? Which has more influence over the shape of your path—your reactions, or your intentions? How are you experiencing the hospitality of Christ? How might he be challenging you to know and hear him in this season? What gate might he be beckoning you toward?

[To use the “Sheepgate” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Easter 2: Into the Wound

March 29, 2008

Image: Into the Wound © Jan Richardson

Reading from the Gospels, Easter 2: John 20.19-31

Tonight I pulled out a card, received from a friend years ago. On the front of the card is Caravaggio’s depiction of the scene that we find in this week’s lectionary reading. As Caravaggio sees it, Christ stands to the left, chest bared, drawing Thomas’s hand into his wound as two other disciples look on. It is an intimate scene: Christ bows his head over Thomas’s hand, gazing at Thomas as he pulls him toward his wound; Thomas leans in, brow furrowed, the other disciples standing so close behind him they threaten to topple him straight into Jesus. Yet Thomas seems about to tumble into the wound of his own accord. He is doing more than merely looking where Christ leads him; his whole being is absorbed in wonder. The first time I saw this image, I immediately had the sense that Thomas was thinking, There’s another world in there.

The title sometimes given this remarkable painting, and this remarkable man, is “Doubting Thomas,” which grates a bit. Three weeks ago, contemplating the gospel lection for Lent 5, I was reminded that in the story of the raising of Lazarus, Thomas is the one—the only one—who steps forward and expresses his willingness to die with Jesus. In this week’s reading, Thomas once again crosses into a place where others have not ventured: into the very flesh of the risen Christ.

Caravaggio’s painting illumines a point that the gospel writers are keen to make in the post-resurrection stories of Jesus. They want to make sure we know that the risen Christ was no ghost, no ethereal spirit. He was flesh and blood. He ate. He still, as Thomas discovered, wore the wounds of crucifixion. That Christ’s flesh remained broken, even in his resurrection, serves as a powerful reminder that his intimate familiarity and solidarity with our human condition did not end with his death. Perhaps that’s what strikes me so about Caravaggio’s painting: it stuns the viewer with the awareness of how deeply Christ was, and is, joined with us. The wounds of the risen Christ are not a prison; they are a passage. Thomas’s hand in Christ’s side is not some bizarre, morbid probe: it is a union, and a reminder that in taking flesh, Christ wed himself to us.

The presence of the Christ who joins himself to us, who is intimately acquainted not only with the delights that come in being human but also in the ways it breaks us open, comes as a particular solace this week. As I write this in the middle of the night, my sweetheart is keeping vigil by his mother’s hospital bed. She is dying. Just a month ago, we—Gary and his brothers and their families—threw a surprise party to celebrate Shirley’s 80th birthday. Shortly afterward, she was diagnosed with a recurrence of leukemia, and where we expected that another series of chemo would buy her some more time, complications set in with startling speed in the past week. Shirley remained alert until Gary and his three brothers arrived to be with her, and now she is letting go.

In a dozen hours I’ll fly to North Carolina, where Shirley’s extended family has begun to gather. I’ve been doing laundry today, working on taxes, paying bills, doing dishes, preparing for a retreat I’m scheduled to lead in Connecticut next weekend—all the mundane and sometimes marvelous details of life that persist even as another life is ending. As I pack, I’ll tuck in the card that my friend gave me all those years ago. And instead of Doubting Thomas, perhaps I’ll call him Believing Thomas. Thomas Who Asked for What He Needed. Thomas Who Crossed the Boundary.

Perhaps I’ll call him Thomas of the Passage, who reached out his hand and found what Shirley is finding in these passing hours:

There’s another world in there.

[To use the image “Into the Wound,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]

Holy Saturday: A Day Between

March 21, 2008

Holy SaturdayImage: Holy Saturday © Jan Richardson

Reading from the Gospels, Holy Saturday: Matthew 27:57-66 or John 19:38-42

At the end of my yoga session this morning, I relaxed into the pose that’s called Savasana, or the Corpse Pose. On this day of thinking about Christ in the tomb, the pose gave me pause.

I thought of a visit to Minnesota a few years ago, and how a friend took me to a nearby Catholic church where you can take a drive-through tour of the Stations of the Cross. Each station offers a large carved relief, with the most elaborate being a life-sized rendering of the Crucifixion. Beneath the Crucifixion, you can look through a sheet of plexiglass to see Christ stretched out in his tomb. It is…interesting. Not the kind of thing that a Methodist girl often comes across.

On Holy Saturday, the lectionary presents us with a choice of Gospel readings. Both readings describe the burial of Christ, with Joseph of Arimathea figuring in each one. Matthew’s version tells us that Mary Magdalene and “the other Mary” (the mother of James and Joseph) were present, sitting opposite the tomb as Joseph of Arimathea laid Jesus in the tomb, rolled a stone across its entrance, and walked away. In John’s Gospel, Nicodemus helps Joseph of Arimathea with Jesus’ burial, bringing a hundred pounds (a hundred pounds!) of myrrh and aloes that he and Joseph use as they wrap Jesus in his shroud and lay him in the tomb. I love how Nicodemus, whom we encountered on the second Sunday of Lent, shows up again here; the man who questioned Jesus about the womb now tends his body at the tomb.

Though the Sabbath soon descended after Jesus was laid in the tomb, some traditions hold that Jesus did not rest on this day. We see evidence of this in the Apostles’ Creed, in versions that follow the words “crucified, dead, and buried” with “He descended into hell” (or “He descended to the dead”). The idea that Christ descended into hell is particularly prevalent in Orthodox Christianity. It’s also known as the Descent into Hades, the Harrowing of Hell, or the Anastasis (Resurrection). Searching online for artwork depicting this scene, I found one image titled “Christ Visits Hell,” which makes it sound like a vacation. Artwork of the Descent regularly depicts Christ releasing Adam, Eve, and others from captivity in the underworld, such as in this image from the 12th-century Winchester Psalter. The Descent embodies the idea that the one who fully entered our humanity on earth and thereby freed us was able also to enter even into hell and release those in bondage there.

Whatever Christ was up to (or down to) on Holy Saturday, for his followers it was a day of sorrow and bewilderment. Bereft of the one around whom they had shaped their lives, they had to choose whether they would isolate themselves in their sorrow and fear, or whether they would remain together and wait for a way to present itself.

Holy Saturday is not a day for answers. It is a threshold day, a day that lies between, and so resists any easy certainty. It is a day of waiting, of remembering to breathe, of willing ourselves to turn to one another when grief lays hold of us. It is a day to open ourselves to the one who goes into the places of deepest pain and darkest fear, in order to bring us out.

What stirs within you on this holy, in-between day?

[To use the image “Holy Saturday,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Unbinding Words, Part 2

March 8, 2008

initial-i.jpgn the Middle Ages, artists depicted the raising of Lazarus with styles that varied but drew upon standard elements. The artists presented the viewer with the entire scene: a commanding Jesus summons forth Lazarus, who appears in some state of enshroudment. A crowd gathers around; typically, at least one of the bystanders holds his or her nose, underscoring practical Martha’s observation: “Lord, already there is a stench because he has been dead four days” (John 11.39). The Limbourg Brothers offer such a depiction in Les Très Riches Heures du Duc de Berry (The Very Rich Hours of the Duke of Berry), which was, as its title suggests, one of the most lavish Books of Hours of the medieval period. You can visit The Raising of Lazarus to see their view of the scene (with an abundance of nose-holding folks).

The Saint John’s Bible, the first Bible to be entirely illuminated and lettered by hand in more than 500 years, presents this scene from a strikingly different perspective. Rather than placing the viewer near the bystanders outside the grave, the illuminator, Donald Jackson, locates the viewer inside the shadowy tomb. We are close enough to smell the death-garbed Lazarus. But we see from a perspective very close to the waking man’s own: our gaze follows his toward the opening of the tomb, where Jesus stands drenched in light.

The shift in perspective beckons us to see that as Jesus calls to Lazarus, he calls also to us. How are you feeling challenged to move this day?

Prayer of Confession

God of compassion,
we acknowledge the times
we have lived too long
with the words that others have put
into our mouths,
with the pain they have written
onto our bodies,
with the terror they have burned
into our hearts,
with the shame they have inscribed
onto our souls.
We know the times we have clung
to sackcloth not of our making,
when we have lived
clothed in weariness,
cloaked with anger,
and enshrouded by sorrow.
We grieve the occasions
when we have lived with alienation
rather than association,
when we have sought isolation
rather than consolation,
when our wounds within
have shut others out.
We confess our fear of the dark
and our uncertainty of the light.

Yet you have placed within us, God,
a longing for survival,
a hunger for your wholeness,
a yearning for your comfort,
and a hope for all our healing.
Bless our mouths
to name our wounds,
that we may not fear them;
our bodies,
that we might cherish them;
our hearts, that we may delight
in their longings,
and our souls, that we may trust
the wisdom of the stories they hold.
Grant us the courage
to be touched by you,
that when our days of weeping
are done,
we may wear your garments of gladness,
see one another in the light
of your love,
and stand together in the power
of your resurrection.
In the name of the risen Christ,
we pray. Amen.

Prayer © Jan L. Richardson, from In Wisdom’s Path: Discovering the Sacred in Every Season.

Lent 5: Unbinding Words

March 7, 2008


Unbinding Words © Jan L. Richardson

For the entire season of Lent I have been looking forward to this week, because it gives us John 11.1-45 for our Gospel reading. The raising of Lazarus is a Big Story. It takes place at a pivotal place in John’s narrative. The action has begun to intensify; Jesus has just narrowly escaped stoning, and he will soon make his triumphal, if short-lived, entry into Jerusalem. The primary goal of the story is to display Jesus’ power: to demonstrate, as a friend of mine once observed, that Jesus isn’t much impressed with death.

John conveys his point with a richness of texture and detail that makes this a particularly compelling text with which to do lectio divina. The story is dense with movement and meaning, and it offers an extravagance of entry points for reflection.

I am intrigued by the web of relationships among the participants in this text. There are Mary and Martha, whose story is bound together with the unbinding of their brother, and who foreshadow the presence of women at another tomb that lies not too distant. I am curious about the friendship that these siblings shared with Jesus, how their home in Bethany seems to have been for Jesus a particular place of hospitality, comfort, familiarity, and, as John points out, love.

There is Thomas, seemingly destined to forever carry the title “Doubting Thomas,” who ought to be better known as the one who, in this story, demonstrates his willingness to die with Jesus.

There is Jesus, whose presence in the story is marked by waiting and weeping.

And then there is Lazarus. Though the story hinges largely on him, for most of it he is a passive background figure. We never hear his voice, and it is only at the end of the story that he finally becomes really interesting, when he is faced with the choice of whether or not to come out of the tomb.

This story is one of my favorites, not just because it’s a Big Story but because of the way that so many stories come together within it. This is not just Almighty Jesus at the height of his powers, showing off what he is capable of; this is Jesus reaching into the depths of who he is, pouring himself out on behalf of those with whom he is most intimately in relationship. Jesus enacts Lazarus’ raising, but he does so in the context of a community. Jesus calls Lazarus forth, but he calls upon those around Lazarus—sisters, kinfolk, neighbors—to unbind him and let him go.

Despite my fascination with such details that this story offers, and despite the fact that I’ve been looking forward to it for all of Lent, it’s taken me a long while to get my act together on doing the artwork and writing for this reflection. There are a variety of reasons for this. Perhaps it’s best simply to tell you a small story.

I live and work in a studio apartment that’s about 300 square feet. I have one closet. After living here for nearly a decade, the closet has gotten pretty full. My decision to clean it out this week owed to a couple of factors: I was looking for something that I thought was in it, and I am getting myself situated to begin working full-time on a new book. I suspect many writers would tell you that there is no time when cleaning seems more compelling and, in fact, absolutely essential than when there is a new writing project at hand. As a result, my apartment is the tidiest it’s been in a long time. This periodic impulse derives partly from my resistance to writing, but I’ve learned that it’s also part of the process, kind of like a dog who turns around in circles before finally settling down. I experience a strong connection between my external and internal space. Clearing and cleaning and sorting is a way of wreaking some sort of order amid the chaos that attends the writing process.

I had not done a purge of my wardrobe in many years, and, as a result, I wound up with a startlingly large pile of garments needing to be ushered into their next life. I’m not a clothes horse; I don’t even particularly like shopping for clothes, mostly because most clothing stores around here offer a sea of sameness that induces lethargy and saps my will to Try Things On. Despite this, I had managed to amass a sizable collection of clothes that I hadn’t worn in years. I had had some of them since college. A number of the garments held sentimental attachments for me, and I subjected my sweetheart to stories of my two favorite sweaters, received as gifts in college and worn for years, and to lamentations over a few pairs of Birkenstocks that were worn beyond the point of repair but that I could hardly stand to throw away.

This small story is simply a way of saying that I have spent a fair bit of time this week thinking about what I have clothed myself in, what attachments they have held for me, and what I need to let go of. I anticipate you figured out a while back that I’m not talking just about literal clothes. Sorting through the stacks has provided fertile opportunity to wrestle with deeper matters of the patterns with which I garb myself, and to reckon with layers of habits, practices, and routines, not all of which serve me, or my community, well.

The raising of Lazarus is indeed a Big Story. It unfolds, however, in the context of patterns of relationships, choices, habits, and personalities that influence how each character participates in and responds to Lazarus’ raising. Our own lives are built on these same details. We each garb ourselves in routines and practices that carry us through our relationships, our work, our hungers, our lives. Those routines and practices influence how we receive and respond to God’s call. We may be swathed in layers of habits that may have once fit us, habits we may once have found beautiful, habits we may yet be attached to long past their usefulness but which now insulate and shroud us from the presence of God.

The season of Lent beckons us to reckon with our most entrenched habits as individuals and communities: to sort through them and to recognize that Christ, in all his humanity and all his divinity, has power even over them. This season reminds us that the miraculous and the mundane are intimately intertwined. We are called to wrestle with the very details that shape our lives together, that new life may emerge.

So I ask you some of the questions I have been carrying for myself this week: In your daily living, what patterns are life-giving and help you notice the presence of God? Which habits keep you bound? What helps you hear the voice of Christ who stands at the threshold between death and life? What will help you choose to come forth, and to help someone else do the same? Are there people who can help with the unbinding?

May you find the presence of God in every detail.

[To use the “Unbinding Words” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]