Archive for the ‘sacred time’ Category

Feast of the Presentation/Candlemas

February 1, 2009

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Blessing of the Candles © Jan L. Richardson

Reading from the Gospels for Feast of the Presentation: Luke 2.22-40

The beginning of February offers us another lovely feast day on the heels of today’s Feast of St. Brigid. In the rhythm of the Christian liturgical year, tomorrow marks the Feast of the Presentation of Jesus, also called the Feast of the Purification of Mary. This day bids us remember Mary and Joseph’s visit to the Temple to present their child Jesus on the fortieth day following his birth, as Jewish law required, and for Mary to undergo the postpartum rites of cleansing. Luke’s Gospel tells us that a resident prophet named Anna and a man named Simeon immediately recognize and welcome Jesus. Taking the child into his arms, Simeon turns his voice toward God and offers praise for the “light for revelation” that has come into the world.

Taking a cue from Simeon, some churches began, in time, to mark this day with a celebration of light: the Candle Mass, during which priests would bless the candles to be used in the year to come. Coinciding with the turn toward spring and lengthening of light in the Northern Hemisphere, Candlemas offers a liturgical celebration of the renewing of light and life that comes to us in the natural world at this time of year, as well as in the story of Jesus. As we emerge from the deep of winter, the feast reminds us of the perpetual presence of Christ our Light in every season.

With her feast day just next door, and with the abundance of fire in the stories of her life, it’s no surprise that St. Brigid makes an appearance among the Candlemas legends. One of those legends reflects a splendid bit of time warping that happened around Brigid. The stories and prayers of Ireland and its neighbors often refer to Brigid as the midwife to Mary and the foster mother of Christ. Chronologically, this would have been a real stretch (seeing as how Brigid was born in 454 CE), but in a culture in which the bond of fostering was sometimes stronger than the bond of blood, this creative image of Brigid reveals something of the deep esteem that she attracted. In the Carmina Gadelica, a collection of prayers, legends, and songs that Alexander Carmichael gathered in Scotland in the 19th century, he conveys this story of Brigid as an anachronistic acolyte:

It is said in Ireland that Bride [Brigid] walked before Mary with a lighted candle in each hand when she went up to the Temple for purification. The winds were strong on the Temple heights, and the tapers were unprotected, yet they did not flicker nor fail. From this incident Bride is called Bride boillsge (Bride of brightness). This day is occasionally called La Fheill Bride nan Coinnle (the Feast Day of Bride of the Candles), but more generally la Fheill Moire nan Coinnle (the Feast Day of Mary of the Candles)—Candlemas Day.

On this Candlemas Eve, where do we find ourselves in this story? Are we Mary, graced by the light that another sheds on our path? Or are we Brigid, carrying the light for another in need?

A blessed Candlemas to you!

[To use the “Blessing of the Candles” image, please visit this page at janrichardsonimages.com. Your use of the Jan Richardson Images site helps make the ministry of The Painted Prayerbook possible. Thank you!]

[For my other reflection & art related to Luke 2.22-40/The Presentation, visit this post.]

A Habit of the Wildest Bounty: Feast of St. Brigid

January 31, 2009


Saint Brigid © Jan L. Richardson

Tomorrow brings one of my favorite days of celebration: the Feast of Saint Brigid of Kildare, beloved holy woman of Ireland. Born in the middle of the fifth century, Brigid became a pivotal figure in the development of Irish Christianity. We know few concrete details of her life, but the surviving stories offer a compelling depiction of a woman renowned for her hospitality and for the monasteries she established, the most famous being the one at Cill Dara (Kildare), the Church of the Oak.

Many of the tales of Brigid’s life read much like those of other female saints: her saintly qualities were evident from an early age; she forsook marriage in order to follow Christ in a monastic way of life (she even caused her eye to burst in order to avoid being married off; don’t try this at home!); she was a wonder-worker who brought healing and justice; she exercised miraculous influence over the weather, animals, and the landscape. “She stilled the rain and wind,” the final line of the Bethu Brigte, a medieval account of Brigid’s life, tells us.

In her charming book St. Brigid of Ireland, Alice Curtayne describes Brigid as someone who found the poor “irresistible” and ministered to them with “a habit of the wildest bounty.” Her lavish generosity sometimes put her at odds with her family and, later, her monastic community, which occasionally had to do without as she gave their bounty to guests and strangers.

There is a strong domestic quality that pervades Brigid’s wonderworking, a homeliness to the miraculous that runs throughout her tales. Most of her recorded miracles are feats of provisioning by which she secures an abundance of fare for daily sustenance as well as for festive occasions. In Brigid’s presence, butter is replenished; the bacon she slips to a dog miraculously reappears in the pot; a stone turns to salt; water becomes milk, or beer, or, in one instance, an aphrodisiac. Her plenitude consciously echoes Christ’s miracles of provisioning—water into wine, a few loaves and fish into a feast—and embodies the abundant generosity of God. There is a gracefulness that shimmers in the utterly mundane quality of the material of Brigid’s miracles, underscoring the dignity of the daily tasks to which the women of her day—and women across centuries—devoted so much of their lives.

Those who wrote Brigid’s Lives, however, were keen to portray her as much more than a wonderworking dairymaid. Within the workaday landscape of her legends, signs of the mystery and power of God flicker and flash with a brilliance that illuminates the saint and sparks the imagination. Fire is a persistent symbol in her stories, and in one of the earliest prayers to Brigid, known as “Ultán’s Hymn,” the writer addresses her as a “golden radiant flame.”

The symbol of fire illuminates and underscores Brigid’s role as not only a worker of domestic miracles but also a woman of transcendent power. In her stories she appears as a charismatic leader who wields influence in monastic, civic, and natural realms; she is ever at ease among kings and bishops; she brings healing to body and soul; she displays gifts of exhortation; she has prophetic dreams and sees far into the hidden reaches of the heart. Brigid possesses a sense of justice that prompts her to secure the freedom of prisoners and slaves.

The Annals of Ulster variously give the date of Brigid’s death as 524, 526, and 528. According to one of her early biographers, Brigid was buried in the abbey church she established at Kildare, and she continued to work miracles after her death. Tradition tells that she was moved from Kildare and laid to rest in Dunpatrick alongside two other great saints of Ireland, Patrick and Columba. Her physical grave remains a mystery, but the landscape of Ireland continues to testify to her presence, with forms of the name Brigid appearing in the names of towns, holy wells, and churches. Legends, prayers, rituals, and celebrations (some of which echo the festivities of Imbolc, a major springtime celebration in the ancient Celtic year) continue to expand and sometimes complicate her story, adding their threads to the mysterious tapestry of Brigid’s legacy.

Brigid lent her name to a modern-day monastery that has been a significant part of my own journey for nearly a decade. Founded at the turn of this millennium by Mary Stamps, a remarkable woman who possesses a wondrous share of the spirit of the groundbreaking Irish saint, St. Brigid of Kildare Monastery draws from both Methodist and Benedictine traditions. For more information about this unique community, visit Saint Brigid of Kildare Monastery.

A blessed Feast of Saint Brigid to you, and may you possess Brigid’s habit of the wildest bounty!

[To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Feast of the Epiphany: A Calendar of Kings

January 6, 2009

Image: Adoration of the Magi © Jan Richardson

Reading from the Gospels, Epiphany: Matthew 2.1-12

A blessed Epiphany to you! During the season that has brought us to this feast day, one of the CDs I’ve been listening to is Wolcum Yule: Celtic and British Songs and Carols by the wondrous vocal group Anonymous 4. My favorite piece on this CD is “A Calendar of Kings,” which began as a poem by George Mackay Brown, the prolific poet of Orkney (in northern Scotland) who died a dozen years ago. The poem’s musical setting was composed by Sir Peter Maxwell Davies, whose composition honors and evokes the haunting enchantment of Mackay Brown’s words. In the liner notes, Maxwell Davies comments, “From the imagery, with ice, snowdrops, and daffodils, it is clear that the journey lasts a season, and that the poet has transplanted the setting from the Middle East to his native land and seascape in Orkney, bringing the nativity home in a very vivid way.”

Here’s the text of the poem.

A Calendar of Kings

They endured a season
Of ice and silver swans.

Delicately the horses
Grazed among the snowdrops.

They traded for fish, wind
Fell upon crested waters.

Along their track
Daffodils lit a thousand tapers.

They slept among dews.
A dawn lark broke their dream.

For them, at solstice
The chalice of the sun spilled over.

The star was lost.
They rode between burnished hills.

A fiddle at a fair
Compelled the feet of harvesters.

A glim on their darkling road.
The star! It was their star.

In a sea village
Children brought apples to the horses.

They lit fires
By the carved stones of the dead.

A midwinter inn.
Here they unload their treasures.

© George Mackay Brown
from Following a Lark

The image above is from my series The Advent Hours. I wrote this to accompany the artwork:

Pondering the patterns of the heavens, the wise ones found one star, one light that called to them, compelled them, set them on the road. And they came, arriving upon the star-drenched landscape where dwelled the hope of the world in the garb of a child. They stretched out their hands to him, the brilliance of the sky now shimmering in their exquisite gifts: gold, frankincense, myrrh.

I’m taking a bit of time off this week but am aiming to have a reflection on Epiphany 1/Baptism of Jesus posted within the next couple of days. In the meantime, I welcome you to visit last year’s reflection on Matthew’s version of Jesus’ baptism, Epiphany 1: Ceremony (With a Side of Cake).

I’ll send out the Epiphany edition of my e-newsletter this afternoon, so if you’d like to receive it and haven’t already subscribed, I invite you to join my mailing list here.

Merry Epiphany! For this day, for this year, may you have light for the path and, as George Mackay Brown writes of the kings, a place to unload your treasures.

[To use the image “Adoration of the Magi,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

New Year, New Print

January 5, 2009

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The Feast of the Epiphany, which we celebrate tomorrow, will mark a year since I revamped this blog and renamed it The Painted Prayerbook. (I hear they call this a blogiversary, but don’t feel obligated to send a gift…) Looking back, I’m struck by the cumulative power of keeping a practice over time. Having devoted a portion of each week of the past year to creating a collage as part of my reflection on the lectionary, I’m entering this year with more than a card deck’s worth of these 3″ x 4″ pieces of art. They are a good reminder to give some thought to the practices I want to cultivate in the coming year, and what I want to be accumulating as the months go by.

I’ve selected twenty-five of these images and gathered them together in a new print to begin this new year. I’d love to share it with you! The print is available on my website, either by visiting the main page at janrichardson.com or by going straight to the Color Prints page.

Please know that purchasing a print (or anything else on my website) provides direct sustenance for my ministry, for which I raise my entire income. I am especially grateful for your support—in all its forms—as I focus on writing a new book this year. I’m reckoning with the fact that for the next six months, being absorbed with the book will necessarily involve doing fewer of the retreats and workshops that typically help to sustain my ministry. It’s high time, however, to give more attention to the writerly part of my vocation, and to finally produce a new full-length book, my first in years. Prayers (and orders) are welcome as I work to do this and to keep bread on my table at the same time!

And while I’m in an inviting kind of mood, I want to make sure you know that I have an e-newsletter that I started last fall and would be delighted to include you in my mailing list if you haven’t already subscribed. You can sign up here. I send the newsletter about once a month; the next one—the Epiphany edition—will go out tomorrow.

Happy New Year and a Merry Epiphany to you! I look forward to sharing the months to come. May 2009 hold many wonders for you and yours.

Inviting Epiphany

December 30, 2008

wisewomenalsocame
Wise Women Also Came © Jan L. Richardson

I’m working on a reflection for the gospel lection for Epiphany, but in the meantime, I offer you this festive trio to get the celebration under way. Wise Women Also Came was one of the first collages I did when I started to discover, many years ago, that there was an artist lurking in me. I created this as my Epiphany (i.e., belated Christmas) card the year I graduated from seminary. I made it out of plain construction paper; this was before I had discovered the wondrous world of art papers. (A trip to The Japanese Paper Place, now simply called The Paper Place, while visiting my sister in Toronto changed all that; you could say that walking into its stunning space was, well, an epiphany.)

These wise women made their way onto the cover of my first book, which I was writing during the same time that I was getting to know my inner artist. They also made an appearance in Night Visions, my first book to wed my writing and my artwork. This time a poem accompanied the women:

Wise Women Also Came

Wise women also came.
The fire burned
in their wombs
long before they saw
the flaming star
in the sky.
They walked in shadows,
trusting the path
would open
under the light of the moon.

Wise women also came,
seeking no directions,
no permission
from any king.
They came
by their own authority,
their own desire,
their own longing.
They came in quiet,
spreading no rumors,
sparking no fears
to lead
to innocents’ slaughter,
to their sister Rachel’s
inconsolable lamentations.

Wise women also came,
and they brought
useful gifts:
water for labor’s washing,
fire for warm illumination,
a blanket for swaddling.

Wise women also came,
at least three of them,
holding Mary in the labor,
crying out with her
in the birth pangs,
breathing ancient blessings
into her ear.

Wise women also came,
and they went,
as wise women always do,
home a different way.

Next week, in the wake of an intense season of travels and other endeavors, I’ll resume working on a new book. It’s something of a sequel to Sacred Journeys, the book I was writing when these wise women took shape. Though I rarely find writing easy (when folks ask me if I enjoy writing, I usually say, “I enjoy having written”), I’m looking forward to reentering the rhythm of working on a book in a focused fashion. It seems an opportune time to revisit these wise women as I seek a blessing for the path, and the book, ahead. I wonder who will show up this time, and what epiphanies they will have in store.

Who have been the wise women in your life? What epiphanies have they instigated? Here at the ending of the year, what wisdom do you want to gather up from the past twelve months and take with you into the coming year? What blessing, what gifts, do you need to receive for the path ahead? What gifts do you need to offer, that only you can give?

Peace to you in this time of turning.

[To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

Feast of All Saints: A Gathering of Spirits

October 26, 2008


A Gathering of Spirits © Jan L. Richardson

Ahhhh…it’s the Feast of All Saints, almost. I love this time of year. Here in central Florida we’re just beginning to touch the fringe of Autumn’s cloak. There’s something stirring, a shift in the works, and it doesn’t have to do solely with the weather.

I’m not sure quite when it started, but for many years, the trinity of days from October 31 to November 2, encompassing Halloween, All Saints’ Day, and All Souls’ Day, has been a thin place in the landscape of my year. The ancient Celts, who celebrated the major festival of Samhain around November 1, believed that the veil between worlds became especially permeable at this time. In something of that spirit, I find that these days offer an invitation to ponder the past. Not with a desire to return to it, or to second-guess it, but with a mindfulness of what has gone before, and perhaps to have a brief visit from the ghosts of What Might Have Been.

It’s this kind of impulse that gave rise to the feasts of All Saints and All Souls. Recognizing the ancient habit of looking to the past at this time of year, the church created new ways to remember the dead with practices in which we can still hear the echoes of the ancient celebrations. Each culture that observes these feast days continues to add their own layers of meaning and mystery, as with the Día de los Muertos (Day of the Dead) celebrations that originated in Mexico (and which, of course, rest on pre-Christian festivities). My own observance of these days usually includes setting aside some time for quiet, for remembering, for prayer, for doing some writing that’s just for me. And good food, of course. And lighting a few flames.

I had a taste of the Feast of All Saints a bit early this year. The theme for the Grünewald Guild’s gala dinner and auction that Gary and I helped with in Washington last weekend was A Gathering of Spirits. The title came from Carrie Newcomer’s song of the same name, which she wrote out of her experiences of teaching at the Guild. I created a piece of artwork for the auction and the cover of the evening’s program—it’s the image you see above—and designed it with the theme, and Carrie’s song, in mind. It shares the same title.

The folks who contributed artwork to the auction each had to write an artist’s statement to accompany our piece. Here’s how mine went:

Before the paint, before the color-drenched layers, it began with a prayer. Penciled words across the white paper: a litany of blessing, a liturgy of thanksgiving for a holy place in the Plain Valley where the worlds of art and faith intertwine. Then the painting, then the cutting, then the layering of papers atop the penciled prayer. With every piece, another prayer; with every layer, another memory of those who have passed through the thin, thin place that is the Guild. Remembering how their presence lingers. A communion of saints, say, to sustain us when the way grows daunting. Or call it this: a gathering of spirits.

What stirs your memories in this season? Who are the folks, living or dead, who linger close in these days? Whom do you gather with? Who or what haunts you? How do your memories help inspire your path ahead?

May this week offer you a thin place and a gathering of good spirits. Blessings.

(To use this image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!)

News from the Studio

October 13, 2008

With Advent just around the corner (this year it begins on November 30), the coming season is on my mind. I am all for not rushing into the next season before this one is done (though Ordinary Time does go on for such a long stretch and I’m about ready for a shift), but I did treat myself to one Christmas CD this weekend (the wondrous La Bela Naissença: Christmas Carols from Provence) to inspire me as I worked on a new print. The print features the twenty-five collages that I created last year for my other blog, The Advent Door. Inspired by the tradition of the Advent calendar, which offers a treat for each day between December 1 and 25, I created a collage and reflection for each of those days.

The new print is available on my web site, either by visiting the main page at janrichardson.com or by going straight to the Color Prints page. With its invitation to cross the thresholds of Advent with a mindfulness that sometimes eludes us in the weeks leading to Christmas, it makes a nifty gift for yourself and others. I’d be delighted for you to stop by and check it out, and also to pay a visit to The Advent Door, where I’ll be painting some new doors as the next season gets rolling.

Until then, may the presence of God linger close to you in these ordinary days.

Feast of St. Francis

October 4, 2008


Saint Francis © Jan L. Richardson

Happy Feast of St. Francis! As I mentioned on the Feast of St. Clare, the hospitality of Franciscans has been a pivotal gift in my life, and I owe them much for helping to preserve my vocation and to sustain me when I made a flying leap into ministry beyond the local church. In particular, it was my Franciscan friend Brother David who helped to inspire that leap and gave me a place to land. I had met him when I was serving as a pastor. Shortly afterward, he established a Center for Art and Contemplation at the retreat center where he worked and where, thanks to the good graces of the Franciscans and not a few other folks, I would become artist-in-residence for some years.

David and his brothers at San Pedro Center gave flesh to the wonders and challenges of Franciscan life and to the spirit of St. Francis. Born in Italy in the 12th century, Francis gave up the riches of his family in order to embrace a life of radical devotion to God and to God’s creatures. He took as spouse the one whom he called Lady Poverty, and a community began to gather around him; they became known as the friars minor (“lesser brothers”). Their rhythm of life included preaching missions (Francis traveled widely, journeying even to Egypt), periods of fasting and prayer, and service to those who lived on and beyond the margins of the society, notably those living with leprosy. It was during a period of fasting and prayer prior to the Feast of Michaelmas that Francis, secluded on a mountain with Brother Leo, received the stigmata—the wounds of Christ.

We know St. Francis in large part for The Canticle of the Creatures, which he began during a time of intense illness. Of his desire to write the canticle, he said to his brothers, “I wish to compose a new hymn about the Lord’s creatures, of which we make daily use, without which we cannot live, and with which the human race greatly offends its Creator.” His praises include, famously, “Sir Brother Sun” and “Sister Moon and the stars” as well as “Brother Wind,” “Sister Water,” and “Brother Fire.” He counted mortality among God’s familiar and familial creatures; on his deathbed, Francis added verses that included the line, “Praised be You, my Lord, through our Sister Bodily Death, from whom no one living can escape.”

Francis left behind a handful of other writings that testify to his deep and simple love of God. With World Communion Sunday coming up tomorrow, it seems fitting to include this portion from A Letter to the Entire Order, which Francis wrote in 1225-1226:

Let everyone be struck with fear,
let the whole world tremble,
and let the heavens exult
when Christ, the Son of the living God,
is present on the altar in the hands of a priest!
O wonderful loftiness and stupendous dignity!
O sublime humility!
O humble sublimity!
The Lord of the universe,
God and the Son of God,
so humbles Himself
that for our salvation
He hides Himself
under an ordinary piece of bread!
Brothers, look at the humility of God,
and pour out your hearts before Him!
Humble yourselves
that you may be exalted by Him!
Hold back nothing of yourselves for yourselves,
that He Who gives Himself totally to you
may receive you totally!

And in the Earlier Rule that Francis wrote for his community, he pleaded,

Therefore,
let us desire nothing else,
let us want nothing else,
let nothing else please us and cause us delight
except our Creator, Redeemer and Savior,
the only true God,
Who is the fullness of good….

Therefore,
let nothing hinder us,
nothing separate us,
nothing come between us.

On this day of celebration, and all the days to come, may it be so. Happy Feast!

(Quotations from Francis of Assisi: The Saint, ed. by Regis Armstrong, O.F.M. Cap., et al.)

Artwork: detail from “St. Francis” © Jan L. Richardson. To use this image, please visit this page at janrichardsonimages.com. Thank you!

The Best Supper

October 3, 2008


The Best Supper © Jan L. Richardson

This Sunday is World Communion Sunday. Established by the Presbyterian Church (USA) in 1936 and originally called World Wide Communion Sunday, this day beckons us to be mindful that when we gather at the table, we celebrate not only with those present but also with sisters and brothers around the world.

The artwork above is a piece called The Best Supper. Inspired by the image of Wisdom’s Feast in Proverbs 9, this piece evokes the myriad meals that have fed me in body and soul. As I created this image, I was visited by memories of so many of the tables where I have found hospitality. Those memories are embedded among the pieces of this collage. Circling the table once again, I capture glimpses of those with whom I shared those sacred meals. I remember how we savored every scrap, how we lingered long after the last bite was consumed.

Table Blessing

To your table
you bid us come.
You have set the places,
you have poured the wine,
and there is always room,
you say,
for one more.

And so we come.
From the streets
and from the alleys
we come.

From the deserts
and from the hills
we come.

From the ravages of poverty
and from the palaces of privilege
we come.

Running,
limping,
carried,
we come.

We are bloodied with our wars,
we are wearied with our wounds,
we carry our dead within us,
and we reckon with their ghosts.

We hold the seeds of healing,
we dream of a new creation,
we know the things
that make for peace,
and we struggle to give them wings.

And yet, to your table
we come.
Hungering for your bread,
we come;
thirsting for your wine,
we come;
singing your song
in every language,
speaking your name
in every tongue,
in conflict and in communion,
in discord and in desire,
we come,
O God of Wisdom,
we come

Prayer © Jan L. Richardson from In Wisdom’s Path: Discovering the Sacred in Every Season.


Update:
Thanks to everyone who has requested permission to use this blessing or “The Best Supper” artwork. For worship services and related settings, you are welcome to use the blessing without requesting permission; all that’s needed is to include a line with this info:

© Jan L. Richardson. janrichardson.com

To use “The Best Supper” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!

Prints of The Best Supper and other images are available by visiting the Art Prints page at janrichardson.com. We have greeting cards, too!

Violence in the Vineyard

October 2, 2008


Violence in the Vineyard © Jan L. Richardson

Reading from the Gospels, Year A, Proper 22/Ordinary 27/Pentecost +16: Matthew 21.33-46

For the third week in a row, the gospel lection offers us a vineyard. Jesus saved the most challenging one for last. In the passage for this Sunday, he relates the parable of a vineyard owner who sends servants to collect the produce at harvest time, and of tenants who meet the servants with brutal attacks and murder. The landowner sends a larger party of servants, who meet with the same fate. The landowner sends his son, thinking the tenants will respect him; instead, they throw him out of the vineyard and murder him, thinking they can get his inheritance.

It is a vineyard drenched with violence.

To his listeners, Jesus poses this question: “Now when the owner of the vineyard comes, what will he do to those tenants?” They respond, “He will put those wretches to a miserable death, and lease the vineyard to other tenants who will give him the produce at the harvest time.”

This passage offers some puzzles, not least of which is the violent setting that Jesus employs to drive home his message about the kingdom of God. He has been pressing his hearers to understand that the kingdom will include many folks whom they don’t expect it to encompass. As we’ll see next week, Jesus is not yet done with that crucial point. He’s turning up the heat, in fact, and the images he is choosing for his parables are becoming increasingly raw and disturbing—a fact not lost on his hearers. This week’s lection poses a challenge with the manner in which Jesus—or his listeners, at least—implies an image of God as one who seeks violent retribution.

Yet this lection offers, too, some tantalizing treats for the exegete. Its imagery, for instance, draws on the Song of the Vineyard in Isaiah 5, in which the prophet sings of an allegorical vineyard much like the one in this week’s parable:

My beloved had a vineyard
on a very fertile hill.
He dug it and cleared it of stones,
and planted it with choice vines;
he built a watchtower in the midst of it,
and hewed out a wine vat in it;
he expected it to yield grapes,
but it yielded wild grapes. (Isa. 5.1b-2, NRSV)

For yielding wild grapes instead of cultivated ones, and for the bloodshed that takes place within its borders, the vineyard is made a wasteland.

In this week’s Matthean passage Jesus draws also on the book of Psalms, quoting from Psalm 118, in which the psalmist offers thanksgiving for receiving deliverance in battle. It is the final psalm in a series called the “Egyptian Hallel,” a group of psalms that formed part of the liturgical celebration at festival times. This is how Jesus quotes it:

The stone that the builders rejected
has become the cornerstone;
this was the Lord’s doing,
and it is amazing in our eyes.

I am intrigued by how the gospels preserve bits of the Hebrew scriptures, and by the texture that this intertextuality brings. It serves as a reminder of the way in which the gospels find their grounding in the scriptures that originated with the Jewish people—the canonical matrix or generative milieu, as Richard B. Hays terms it. It’s particularly good to notice the richness of this inheritance at this point in the calendar: we are in the midst of the High Holy Days of the Jewish year, known as the Days of Awe, a ten-day period that began with Rosh Hashanah (the Jewish New Year) on September 29 at sunset and will conclude with Yom Kippur (the Day of Atonement), which begins at sunset October 8.

There is much to sort through among the treasures and challenges in this week’s lection. In contemplating this passage in the space of lectio divina, I have been drawn to remember how practice of lectio invites us to enter a text in much the same way we might ponder a dream, recognizing that each part contains and reveals some piece of our selves. And so what’s surfaced and persisted with me has revolved around this question: What’s going on in the vineyard of my soul?

As often happens, creating this week’s collage was part of what got me to that question, and to the other questions that came in its wake. I initially worked on a design that was dramatic, thinking that something vivid and explosive and sharp would evoke the violence of this parable. As I continued to play with the papers, however, I found myself thinking how often violence begins in small ways. It rarely starts as something explosive; rather, it works to find tiny openings, just enough space to wedge itself into. Violence finds its sustenance and its home in the actions that accumulate over time: impatience, indifference, working beyond our weariness, depleting our internal reserves, relying too much on ourselves, pushing anger underground, making assumptions, giving ground to prejudice, stoking resentments… So many ways we till the soil, inadvertently and otherwise, where violence can take hold.

I don’t think of myself as a violent person, and yet lately there are some heads I’ve felt the impulse to pinch. So it’s a good week to be wrestling with this text, and checking my assumption that I’m not a violent person, and asking myself, How am I cultivating my vineyard these days, and what am I allowing to seep in—even stuff that seems tiny, microscopic, really, but can take root over time?

I’ve found myself thinking again of Etty Hillesum, the brilliant young Jewish woman who was killed in the Holocaust. As I’ve written about elsewhere, Etty persisted in tending her soul as the world was falling apart. She understood that violence doesn’t spring forth fully formed, that it gestates in small acts and individual hearts, and that when we don’t attend to what’s going on inside us, the destructiveness within us accumulates and spills over into the world around us. Shortly after appearing at a Gestapo hall where she and other Jewish people had been summoned for questioning, Etty wrote in her journal,

Something else about this morning: the perception, very strongly borne in, that despite all the suffering and injustice I cannot hate others. All the appalling things that happen are no mysterious threats from afar, but arise from fellow beings very close to us. That makes these happenings more familiar, then, and not so frightening. The terrifying thing is that systems grow too big for men and hold them in a satanic grip, the builders no less than the victims of the system, much as large edifices and spires, created by men’s hands, tower high above us, dominate us, yet may collapse over our heads and bury us.

One of the practices that Etty cultivated in the midst of the Holocaust was a refusal to give in to hatred. She recognized hatred as a form of violence that would not solve the terror that the Nazis were inflicting. “I see no alternative,” she once told a friend, “each of us must turn inwards and destroy in himself all that he thinks he ought to destroy in others.”

66 years ago this week, Etty wrote in her journal, “Ultimately, we have just one moral duty: to reclaim large areas of peace in ourselves, more and more peace, and reflect it toward others. And the more peace there is in us, the more peace there will also be in our troubled world.”

It’s a challenge, this peace thing, especially since it specifically does not mean refusing to see the violence that persists in the world or pretending it isn’t there. It doesn’t mean being spineless, doesn’t mean letting the bullies win, doesn’t mean standing by while others are destroyed. Whatever peace doesn’t mean, I do know it includes seeking it within our own selves, cultivating it in the vineyard of our own souls, recognizing that what grows there is intertwined with what grows in the world beyond our own borders.

So what’s growing in the vineyard of your life? What do you cultivate with intention? How do you pursue peace there? Is there anything you have allowed to seep in, to take root by stealth? What practices help you tend that field?

Yesterday morning, praying the Office of Lauds from the breviary that the St. Brigid’s community uses, I came upon this line in the litany: “Alert us to the peace we can impart to others out of the full store of your blessings.” In the days to come, may we be alert indeed to this peace, and tend it, and lavish it on one another. Blessings.

[To use the “Violence in the Vineyard” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Painted Prayerbook possible. Thank you!]

[Richard B. Hays reference from his essay “The canonical matrix of the gospels” in The Cambridge Companion to the Gospels, ed. Stephen C. Barton. Etty Hillesum quotations from Etty: The Letters and Diaries of Etty Hillesum 1941-43, edited by Klaas A. D. Smelik.]